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Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 20

Afternoon

Jazz

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, January 23, 2010

IAN CHRISTIE R.I.P.

Back in the early days of trad-dom Ian Christie was frequently heard at Newcastle City Hall with the bands of Mick Mulligan and Alex Welsh. He later, along with brother Keith, re-formed the Christie Brothers' Stompers. Trombonist Keith eventually joined Johnny Dankworth to pursue a more modern path giving the musical press licence to refer to them as the 'Christies ancient and modern'.
Ian himself would say, "The name's Christie as in the serial killer."
As well as playing clarinet he also worked as film and music critic for the Daily Express.
Sadly, when I typed "Ian Christie" into the "Daily Express" search engine it came up with "Sorry, no results found for Ian Christie please try again."
Be that as it may jazz fans will always remember Ian for his clarinet playing which was rooted in New Orleans and he stood equal to his contemporaries such as Archie Semple, Wally Fawkes, Monty Sunshine, Acker Bilk and Sandy Brown.
Ian died Jan 19, 2010 aged 82.
Lance.
PS: Time may have coloured my opinion of Ian's playing. In his well known autobiography (well one of them), "Owning Up", George Melly describes Ian's playing as "...a continuous stream of notes played at approximately the same volume from the first bar of a number to the coda. As a result his solos, when on form, were often beautiful in an unpretentious and restrained way, but in ensemble, because he didn't listen to what the rest of the frontline were up to, had no give or take. Furthermore he had a bad memory for arrangements. This suited Mick (Mulligan) very well, as it gave him a perfect excuse not to hold rehearsals.
"What's the use cock?" he would ask. "Ian can never remember new numbers."
Be that as it may I certainly enjoyed hearing him all those years ago.

1 comment :

Paul Dawson said...

Hi. I had the great honour of being a member of Ian's (ir)regular band for the last ten years or so of his life, and can say with confidence and some authority that he remained a fine player. He told me that, since returning to playing after a long break, he'd resolved to try never to play any phrase he didn't 'hear' in his mind, and this helped to make his later playing even more individual and distinctive than it had been earlier in his career. Ian was a genuine talent, an irreplaceable link to a glorious jazz past, and a wonderfully witty and generous man. I'll always be grateful to him for all of his help and encouragement, as well as his friendship. I'll miss him.

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