Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Kevin Eland (trumpet).
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tuesday, June 10, 2025

Album review: Michael Arbenz meets Andy Sheppard - From Bach to Ellington - Live

Michael Arbenz (piano); Andy Sheppard (tenor sax)

This does what it says on the tin. Arbenz meets Sheppard, not in Brandenburg or Washington D.C. but in Basel - capital of that country where they make Metro trains that don't work and cuckoo clocks that do.

Five tracks. Three composed by Ellington and two by Arbenz who finds his inspiration in a cantata and a prelude by J.S. 'Mighty' B.*

Sheppards big sound and his agile technique deliver the improvised passages with much aplomb whilst Arbenz extemporises frenetically with the fervour of the great man (men?) himself posing the question as to why jazz musicians improvise and classical musicians extemporise? That aside, it is as much classical as it is jazz which, as that was probably the artists' intent, I guess you can say that it worked.

The 64,000 dollar question is will it appeal to both factions? I think it might. Paradoxically, in many respects, the Ellington tunes seem to be more classically orientated whereas the Bach interpretations come across as the jazzier of the two! 

To quote from the accompanying puff sheet: 

Recorded live at Bird’s Eye Jazz Club in Basel, the record explores the musical meeting point between Baroque counterpoint and jazz improvisation across original compositions inspired by specific Bach pieces and reimagined Ellington classics. Treading a line between historical reverence and contemporary reinvention, Arbenz and Sheppard find a cerebral and heartfelt shared language through subtle grooves, chamber-like textures and striking melodic clarity.

My thoughts exactly. Lance

Release date is this Friday the 13th but don't let that put you off it's well worth a CHF or two. BANDCAMP.

*Back in the day when I was 'keeping 'em flying' two of RAF Manby's eggheads were discussing the relative importance of Michael Faraday and William Shakespeare. To show that I was no ignorant erk from up north I said, "What about Bach?" 'Shakespeare' nodded sagely and said, "Ah yes! J.S. 'Mighty' B". Ever since then I can't mention JSB without inserting Mighty. I'm sure Sheppard and Arbenz do the same although Andy might be referring to Mighty Duke Ellington!

Melancholia (D. Ellington); Psalm (M. Arbenz, inspired by Bach’s Cantata BWV 146); African Flower (D. Ellington); Where It Springs  Into Being (M. Arbenz, inspired by Bach’s Prelude in C); Reflections in D (D. Ellington); Warm Valley (D. Ellington)

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