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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17641 (and counting) posts since we started blogging 16 years ago. 915 of them this year alone and, so far, 60 this month (Dec. 26).

From This Moment On ...

December

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

January 2025

Wed 01: ???

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, April 11, 2024

Salute Benny Goodman (Eros)

Mahlon Clark (clarinet); Heinie Beau, Les Robinson   (alto sax); Babe Russin, Dave Harris (tenor sax); Irving Goodman, Zeke Zarchy, Mickey Mangano, Don Fagerquest  (trumpets); Murray McEacherm, Hoyt Bohannon, Tommy Pederson (trombones); Jess Stacy, Jimmy Rowles (piano); Allan Reuss, Al Hendrickson (guitar); Sid Weiss, Curtis Counce (bass); Nick Fatool, Ralph Collier (drums); Red Norvo (vibes). 

What, I hear you ask, am I doing giving space to a Benny Goodman album that doesn't have Benny Goodman?

A good question. It was hidden amongst the Jim Reeves and Max Bygraves' LPs huddled up to a Jacques Loussier album (which I already had) in a Hebburn charity shop. I felt that it was my duty to rescue it - I'd have done the same for a kitten.

It's on one of those 'cheapie' labels that turned up in grocery stores, newsagents and garages during the early sixties that often had LPs by Charlie Parker, Woody Herman and many other names.

The Goodman band were on a State Visit to the 1958 Brussels World's Fair which actually opened on April 17 of that year. For whatever reason, the band members made this recording without Benny and Mahlon Clark played the clarinet parts.

I'd never heard of Clark. Seems as though his regular gig was with the Lawrence Welk Orchestra which explains why I'd never heard of him. Nevertheless, he plays the role to perfection and, in a blindfold test, I'd defy you to tell the difference.

Most of the band had played with Goodman at one time or other back in the day when he was swing royalty or at least with the other contenders such as Dorsey, Miller etc. and they make a decent fist of it perhaps even do it better.

There are actually two different rhythm sections but I'm not sure which is which and I don't think it really matters.

Must check out Mahlon Clark. Lance

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