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| (© Jeff Pritchard) |
As expected, this Sunday night gig turned out to be a room filler and I’m pretty certain there were many fans of modern jazz guitar amongst the audience. Tom Remon has played this venue on at least two occasions but Sid Jacobs was unknown to me and after checking the internet for information I was eager to hear him play.
Both guitarists were seated at the front of the small bandstand, Jacobs on the left, Remon on the right and at 9:00pm they went straight into It Ain’t Necessarily So from Gershwin’s Porgy and Bess. I’ve liked this number ever since I heard it on the Jazztet’s debut album.
James Owston has played here before and together with drummer Jim Bashford, who I have read favourable reviews about but have not seen before, sounded like a first class rhythm section and gave great support to the guitarists.
During You Stepped Out of a Dream the drummer held my attention by using his hands throughout the entire tune. The contrasting styles of the guitars I found interesting Jacobs very technically impressive with lots of unusual chords and Remon having a more emotional approach with some note bending and maybe some George Benson influence. For the last two numbers an alto sax player joined the group who I think was called Colin Campbell but I may have misheard this. He sounded very modern and I would have liked to chat with him but had to dash off to catch my ride home.
The next jazz at the Railway is on March 26 with John Hulme and the Paul Hartley Quartet. Mike Farmer
It Ain’t Necessarily So; Segment; Darn That Dream; You Stepped Out of a Dream; Feet’in Two Worlds; Very Early; Funkallero; For Okay; Along Came Betty; You and the Night and the Music.
2 comments :
nice piece, but the guy's surname is Remon and not as stated
Well spotted. Thank you. Now corrected.
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