November
Tue 05: Vieux Carré Jazzmen @ The Victoria & Albert Inn, Seaton Delaval NE25 0AT. 12:30pm. £12.00. ‘Guy Fawkes Steak & Ale Pie & Pea Lunch’. To book tel: 0191 237 3697.
Tue 05: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.
Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 06: The Horne Section’s Hit Show @ Tyne Theatre, Newcastle. 7:30pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 07: Jazz Appreciation North East/Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘George - named musicians, vocalists & composers (Chisholm, Duke, Lewis, Shearing, Benson, Melly, Gershwin et al)’.
Thu 07: Aki Remally: The Gil Scott-Heron Songbook @ Gosforth Civic Theatre, Newcastle. 7:30pm. Remally (guitar, vocals); Fraser Urquhart (piano); Tom Wilkinson (bass); Max Popp (drums).
Thu 07: Rat Pack Live @ Whitley Bay Playhouse. 7:30pm.
Thu 07: Mo Scott @ The Mill Tavern, Hebburn. 8:30pm. Free.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guest band night with the new Pensacola Boulevard: Josh Bentham (trumpet!); Donna Hewitt (clarinet); Ron Smith (bass); Graham Thompson (keys); Mark Hawkins (drums); Django ZaZou (trombone); Vicky Jackson (vocals).
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 08: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Joe Steels Trio @ The Pele, Corbridge. 7:00pm.
Fri 08: TC & the Groove Family + Swannek + Knats @ Cobalt Studios, Newcastle. 7:00pm.
Sat 09: Moscow Drug Club @ Hamsterley Village Hall, Co. Durham DL13 3QF. 7:30pm. £15.00.
Sat 09: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free. ‘Swing Jazz Guitar’. A ‘Jar on the Bar’ gig.
Sun 10: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free. A ‘second Sunday in the month’ residency.
Sun 10: Panharmonia @ Central Bar, Gateshead. 2:00pm. £6.00.
Sun 10: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 10: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 10: Jude Murphy, Steve Chambers & Sid White @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 10: Moscow Drug Club @ Lesbury Village Hall, nr. Alnwick NE66 3PP. 7:30pm. £15.00.
Sun 10: SH#RP Collective @ The Globe, Newcastle. 8:00pm.
Tue 12: Matthew Forster Quartet @ Newcastle House Hotel, Rothbury. 7:30pm.
Tue 12: Phil’s Elastic Band @ The Forum, Darlington. 7:30pm. Free, but ticketed, book online.
4 comments :
Dave, I was at the concert, 1997 if memory serves. Some years earlier - or was it later? - Bley appeared at Newcastle City Hall as a member of the Jack Bruce Band.
I worked in Glasgow for a few months in 1992. While there I went to a couple of Glasgow Jazz Festival events. One was the trio with Carla, Steve Swallow & Andy Sheppard. Beautiful playing
and I often think back to that concert. It was one of those you never forget. Incidentally the other concert was Irakere who were great too.
I missed the Newcastle gig! Only saw her the once, with the trio (Swallow and Sheppard) in Istanbul. Must have been 1994/5
Jude
I was also at that concert (well, at least half of it). I was driving back from London and arrived about 9pm which turned out to be the interval at the Playhouse. As was the thing in those days there was no one at the booking office or on the doors so I wandered into the hall with the crowds returning from the bar and found an empty seat.
The music was great but my abiding memory was that there were two women with the same amazing hairstyle. The second one obviously Carla Bley's daughter who was playing the piano. She is listed amongst the band members above as Karen Mantler.
Escalator Over The Hill was a big thing for me and my jazz buddies when it came out and we spent rather too long analysing its lyrical intricacies. A few years later in the mid 70s, some of my friends went to New York for the summer and went to every jazz gig going. Somehow they were invited (or invited themselves) to Carla Bley's house and it turned out she was happy to chat to them. Amazingly she also gave them a copy of a ten page document which was supposed to be the outline for 'Escalator'.
When I looked at it I was no wiser but I think I understood she was more interested in the musical ideas rather than the plot.
JC
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