Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, October 26, 2023

Castillo Nuevo Trio @ King's Hall, Newcastle University - Oct. 26

Jason Holcomb (trombone, shakers; Alix Shepherd (piano); David Olatunji (percussion)

Teeming rain didn't deter King's Hall regulars, all seats were occupied in time for a quarter past one start. Jason Holcomb (Head of Brass at Newcastle University) assumed the role of nominal frontman, flanked to his right by pianist Alix Shepherd and to his left, percussionist David Olatunji. Afro-Cuban, Latin, salsa, samba and much else, the long-established Castillo Nuevo Trio set about entertaining the bedraggled. 

The first two rows of seats were occupied by children from a nearby school - would they be tempted to get up and dance? Opening with Mas Que Nada, it was clear from the down beat that this wasn't going to be a po-faced, sit-on-your-hands concert. Holcomb made reference to Bueno Vista Social Club (some in the audience had heard of the late twentieth century phenomenon) and when asking the school  kids if they knew where Bossa Nova originated, some of the answers were of the priceless variety: South...Dakota. Close enough for jazz! 

Compay Segundo's Chan Chan, recorded by and featured in Buena Vista Social Club's set, set feet tapping. Would anyone take up Holcomb's invitation to dance? Summertime given a bossa-salsa-Afro-Cuban treatment almost got them out of their seats, Thriller as an 'everything-Latin' mash up (featuring solos from Holcomb and Shepherd) worked a treat and, as the two o'clock finish approached, Holcomb sought permission from the 'powers-that-be' to play another one. Oye Como Va and a brief encore did the trick, the kids were up doing their thing. 

Next week (Thursday 2 November) pianist Robert Mitchell will be performing original compositions, left-hand-only compositions, improvisations and, perhaps, reciting some poetry. Russell
    
Set list: Mas Que NadaChan ChanSummertimeCapullito de AlheliMandingaThrillerOye Como Va.

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