Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18982 (and counting) posts since we started blogging 18 years ago. 846 of them this year alone and, so far this month (Oct. 8.) 25.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sunday, October 01, 2023

Album review: Joshua Redman featuring Gabrielle Cavassa - Where Are We

Joshua Redman (tenor sax); Gabrielle Cavassa (voice); Aaron Parks (piano); Joe Sanders (bass); Brian Blade (drums) + Peter Bernstein, Kurt Rosñenwinkel (guitar); Nicholas Payton (trumpet); Joel Ross (vibes).

Where Are We is aptly named, the theme of the album being various American states and cities with Redman, vocalist Cavassa, piano, bass and drums putting their own impressions down on a selection of standards and originals.  The four guests also pop up individually on single tracks.

After Minneapolis (face toward mo[u]rning) opens with an explosive cadenza from Redman which is as violent a sound as I've ever heard from him. However, the song, an original by Redman couldn't conceivably have any other intro based as it is around, although not exclusively,  the murder of George Floyd. Cavassa's vocal adds to the emotive content.

Bruce Springstein's Streets of Philadelphia features Rosenwinkel and once more Cavassa, a co-winner of the 2021 International Sarah Vaughan Jazz Vocal Competition, gets right inside the lyric as indeed she does on all her featured tracks. Redman wails as if to the Blue Note manner born.

Chicago Blues is almost a romantic ballad unlike the original versions by Jimmy Rushing and later Joe Williams. Ross' vibes add to the mood.

Baltimore has no guests and Cavassa sits this one out. Some nice bass-work from Sanders. Redman is quite lyrical in a gutsy kind of way with Parks also in that groove.

By the Time I Get to Phoenix is undoubtedly the best version ever of this tune. I came to that conclusion long before Cavassa had even reached Albuquerque.

Do You Know What it Means to Miss New Orleans? The vocal brings Billie Holiday to mind which is no bad thing. New Orleans' native Payton adds to the authenticity and trumpet and tenor have some exciting contrapuntal moments.

The quartet travelled over a thousand (music) miles to Manhattan where they were joined by Peter Bernstein for a delightful take on the Rodgers and Hart classic.

My Heart in San Francisco (Holiday). Now that Tony has left us I guess it's open season on Bennett's signature tune. However, Redman manages to incorporate Monk's San Francisco Holiday into the mix hence the slightly different title. It all works out fine in the end.

That's New England also merges with a song by Charles Ives - Three Places in New England. Confused? Don't worry, so am I. Just sit back and enjoy.

Stars Fell on Alabama and Coltrane's Alabama offer two starkly contrasting images - lovers kissing in fields of white and black school children getting killed in a church bombing. Cavassa paints the former and the quartet the latter. 

Where Are You? Sensuous vocal, lyrical tenor, fine piano and a sympathetic rhythm section bring this beautiful and, at times, provocative album to a close. If we allocated stars this would be 10/10. Lance 

 Now available on the mighty Blue Note label - Find out more HERE.

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