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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, October 19, 2023

Andy Watt & Friends @ King's Hall, Newcastle University - Oct. 19

Andy Watt (guitar); Grace Alexander (piano, keyboards); Dan Rogers (bass guitar); David Lourie (drums)

Today's King's Hall's lunchtime concert attracted a full house, the attraction being 2012 folk degree graduate Andy Watt. Working with the likes of Tom McConville and Alistair Anderson, Watt has one foot planted firmly in the folk music camp. This five-piece band performance would cover a lot of ground, featuring original material and numbers by Larry Carlton, Bill Evans and others. 

To Watt's right sat Grace Alexander (Steinway grand and keyboard), another graduate of the very institution in which this afternoon's concert was taking place. Bassist Dan Rogers had just come off a tour with the Unthanks, with the in demand David Lourie (gig and session work veteran) occupying the drum chair.

Onwards opened the set, Watt's noting: The second section is more complex with some chromatic, jazz-influenced chord movements. Whatever its construction, it worked well. 

Larry Carlton's Room 335 (with Watt playing a Gibson 335) caught the ear of the jazz fan, a tune Carlton wrote with Steely Dan's Peg in mind.

Eye of the Storm (a Watt composition) featured a chord progression often found in modern soul and r&b.

Russell Ferrante's Revelation as recorded by Robben Ford, Watt informing his audience Mr Ford is a big inspiration.

Waltz for Debby (Bill Evans) described by Watt as: beautiful but fiendishly complex, is a familiar tune to the jazz fan, Watt revealing he performed the piece at his final undergraduate recital.

At the End of the Day (comp. Watt) with its jazz and blues elements featured pianist Grace Alexander and bassist Dan Rogers. 

Welchz Grape, the set's closing number, features on a Watt and Friends live recording video. 

Check out: www.andywattguitar.com. Russell  

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