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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Sun 19: BTS Trombone Day @ Mark Hillery Arts Centre, Collingwood College, Durham University DH1 3LT. 11:00am-5:00pm. Free to British Trombone Society members (£10.00. & £5.00. to non-members). Recitals, workshops and mass blows.
Sun 19: Anth Purdy @ The Links, Blyth. 12:30-1:00pm. Free. ‘Blyth Battery: Blyth Goes to War Weekend’.
Sun 19: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Andrea Vicari. Enquiries: learning@jazz.coop.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 19: Ransom Van @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Andrea Vicari Trio @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free. Opus de Funk: Horace Silver.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Monday, July 17, 2023

Jazz on the Tyne – birth of a jazz podcast

Five years ago, I could never have imagined that I would find myself presenting a radio show or podcast, let alone one that’s about to hit 100 (editions, not years!).  As with so many things, it was largely a matter of chance.

At the start of 2019, I was looking for volunteering opportunities, having just self-published a book based on my 13 visits to the Montreux Jazz Festival in Switzerland. I had heard about the Volunteer Centre Newcastle and I looked through the extensive list of opportunities on their website. Two in particular caught my eye: one was for a maths tutor; the other was for a presenter on Hive Radio, an internet station operated by Community Arts Project North East (CAPNE). 

I decided not to pursue the former opportunity, although I currently do some informal maths tutoring for those with English as a second language.  However, I did apply to CAPNE.  I recently found a copy of my application form, which included the following:

I have no previous experience of radio broadcasting but would be keen to learn about this.  I have been told that my voice would be good for radio and – as well as playing music – I would enjoy telling listeners why I have chosen these songs and hopefully give some background about the musicians.  I would also like to advertise local upcoming gigs and feature recordings by some of these performers.

I had no expectation that this application would be successful. So, I was astonished shortly afterwards when Ben Hudson, co-director of CAPNE, rang and said they were interested in taking me on!

I then met Ben and Diane Gray, the other CAPNE director, at their base at Perth Green in Jarrow. Ben, who’s a folk musician with a teaching and training background, and Diane, who’s an award-winning radio producer, had founded CAPNE a few years earlier, to maintain the community radio station previously based at Bede’s World museum. The station had presenters playing various styles of music – but not jazz! So, I explained my plans for a jazz show to Ben and Diane, who were happy to go with this. They had a radio studio at Perth Green, but I decided to record my shows at home; a fortunate decision, in the light of global events the following year.

I prepared the first programme soon afterwards; Ben and Diane liked it and fixed the date for transmission: 27 April 2019.  In the meantime, I busily alerted people to the new show, set up a Twitter account – and designed a logo, featuring a saxophone and the Angel!

Over the next year or so, Jazz on the Tyne was broadcast fortnightly on Hive Radio in an hour-long midday slot on Saturdays, with a repeat on Wednesday evenings.  The Saturday slot had the advantage of coming directly after two strong music programmes: Ben Hudson’s folk show at 10 am, which covered the North East scene; and – at 11 am - Trev Reed’s 60’s show, which (in my view) gave a more celebrated programme on the same theme a run for its money!  I was very sad when Trev died towards the end of 2019.  Although the current podcast format for Jazz on the Tyne offers more flexibility regarding scheduling and the length of programmes, I do miss tuning in to Hive Radio on a Saturday morning, knowing that other people would be listening at the same time.

Early on, I realised I needed to place special emphasis on one of the things I had mentioned in my CAPNE application; namely, to showcase music by local artists and highlight what was going on jazz-wise in the North East.  So, for example, I prepared special shows previewing the Newcastle Jazz Festival and the Newcastle Festival of Jazz and Improvised Music.  With the arrival of Covid and no gigs taking place, I had to change tack and - for much of 2020 and beyond - interviews with musicians from the North East and further afield formed the heart of my shows.  I’m enormously grateful to all my guests for sparing the time to chat with me; I was fascinated by the insights that they provided.  Although I feature fewer interviews now, they remain an important part of Jazz on the Tyne.

Sadly, as well as having a massive impact on musicians, the pandemic severely impacted the operation of CAPNE. During the second half of 2020, CAPNE ceased transmissions from its website and instead all its music shows were uploaded to Mixcloud as podcasts. In fact, all of Hive Radio’s music programmes both before and since that time (more than a 1000 of them!) remain available at www.mixcloud.com/hive_radio. At the same time, Diane and Ben began uploading to Anchor FM a series of audio dramas set in the north east, under the heading Hive Radio Storytellers (https://anchor.fm/hive-radio-storytellers).  I’m pleased to say these dramas continue to be produced now. However, CAPNE closed at the start of 2021, and Jazz on the Tyne is the only show now being uploaded to Hive Radio on Mixcloud.

The hundredth edition of Jazz on the Tyne will be coming out at the start of August. Ahead of that, I would like to thank Ben and Diane for helping me to get the show off the ground and everyone who’s assisted me one way or another.  Plus - there’s still time to send in a request or message for this programme, by emailing me at jazz.tyne.hive@gmail, via Twitter @jazz_tyne, or via the Jazz on the Tyne website, www.jazzonthetyne.org.  I’d love to hear from you! Colin Muirhead

1 comment :

Brian Bennett said...

Extremely interesting article, Colin. A great read!
It reminded me that my good friend, trumpeter, trombonist and band leader, Colin Aitchison, made a similar ‘leap of faith’ into radio broadcasting with absolutely no previous experience.
Based at live music venue ‘Ned Kelly’s Last Stand’ in Hong Kong, Colin has worked there for many years and in his position as musical director & band leader was (until the covid pandemic came along) performing most nights of the week.
His radio show is called ‘VINTAGE CHART TOPPERS’ and is broadcast on RTHK Radio 3 Hong Kong at 8.30 on Sunday mornings.
PS. I stayed in Montreux some years ago, missed its wonderful jazz festival, but did catch a fantastic dixieland jazz band performing on a paddle steamer on lake Geneva - also great to see the bronze statue of Freddie Mercury who had strong links to the town after Queen acquired the Montreux Lakeside Mountain Recording Studios in 1978.

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