Bebop Spoken There

Ethan Hawke (starring as Lorenz Hart in Blue Moon): ''Larry [Lorenz] Hart would be so happy that his music and his words and his poetry are still alive.'' - The Northern Echo 27 November 2025

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18000 (and counting) posts since we started blogging 17 years ago. 964 of them this year alone and, so far, 73 this month (Nov. 24).

From This Moment On ...

DECEMBER 2025

Sat 06: Sarah Spencer’s Transatlantic Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 06: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Minor Swing. Enrol at: learning@jazz.coop.
Sat 06: Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 06: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). £3.76 (inc. bf).
Sat 06: Kaberry Big Band @ The Seahorse, Whitley Bay. 7:30pm (7:00pm doors). £15.00. (inc. hot buffet). ‘Christmas 1945’. Kaberry Big Band, formerly Vermont Big Band.
Sat 06: Smokin’ Spitfires @ Platform 1, Bedlington. 7:30pm. £6.00. Rhythm & blues.
Sat 06: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00. Xmas Party with buffet.
Sat 06: The Jive Aces @ The Witham, Barnard Castle. 8:00pm. £22.00., £20.00.
Sat 06: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. special guest Donna Hewitt (sax, clarinet).
Sun 07: Finn-Keeble Group @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Skerritt w. backing tapes.
Sun 07: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio + Ruth Lambert.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Jason Isaacs Big Band @ Pilgrim, Newcastle. 5:15pm (4:00pm doors). £21.50 (inc. bf).
Sun 07: Paul Skerritt @ 3 Stories, High St. West, Sunderland. 6:30pm. Skerritt w. backing tapes.
Sun 07: Lindsay Hannon: Tom Waits for No Man @ The Globe, Newcastle. 7:00pm. Support set from Play More Jazz! course participants. Note earlier start.

Mon 08: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 09: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm

Wed 10: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 10: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 10: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 10: Mike Lindup Jazz Trio @ Pilgrim, Newcastle. 7:30pm (doors). £26.50 (inc. bf). Lindup, Yolanda Charles (bass), John Sam (drums).
Wed 10: Bold Big Band @ Cluny 2, Newcastle. 7:30pm. £12.00.

Thu 11: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: West Coast (cool ) / Wordsearch (cool) Cool Jazz or ‘Cold’, ‘Cool’, ‘Hot’, ‘Warm’ in the title or lyrics.
Thu 11: George Robinson @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £5.42 (inc. bf). Vienna’s Voice charity evening featuring ’15 year old singing sensation the ‘Redcar Crooner’ George Robinson’. Over 35s only.
Thu 11: Paul Skerritt @ Chakh Dhoom, Jesmond, Newcastle. 7:00pm. Indian restaurant. Skerritt w. back tapes.
Thu 11: Ransom Van @ The Black Swan, Newcastle. 7:30pm.
Thu 11: Down for the Count Swing Orchestra @ Middlesbrough Town Hall. 7:30pm. £37.70 (inc. bf). ‘Swing into Xmas’.

Fri 12: Pete Tanton’s Chet Set @ Bishop Auckland Methodist Church. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Milne Glendinning Band @ Northumberland Club, Jesmond, Newcastle. 7:00pm. £15.00. ‘Xmas Soiree’.
Fri 12: A Jazzy Xmas @ St Cuthbert’s Centre, Crook. 7:30pm. £15.00. Paul Edis (MD, piano); Jo Harrop (vocals); Vasilis Xenopoulos (tenor sax, soprano sax); Matthew Forster (alto sax, clarinet); Sue Ferris (flute, piccolo); Graham Hardy (trumpet, flugelhorn); Jason Holcomb (trombone);Emma Fisk (violin); Andy Champion (double bass); Matt MacKellar (drums). SOLD OUT!
Fri 12: Tony Hadley: Xmas Big Band Tour 2025 @ The Glasshouse, Gateshead. 7:30pm.
Fri 12: Alexia Gardner @ The New Ship Inn, Newbiggin-by-the-Sea. 8:00pm. Gardner, Alan Law, Jude Murphy, Abbie Finn.
Fri 12: Jive Aces: Swingin’ Xmas Show @ The Witham, Barnard Castle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, June 21, 2023

Sunday night @ the Globe: Graham Costello’s Strata - June 18 (take two)

(© Ken Drew)
Graham Costello (drums); Fergus McCreadie (piano); Harry Weir (tenor sax, bass clarinet); Kevin Cahill (guitar); Gus Stirrat (electric bass)

Judging by the size of the audience downstairs at the Globe (~65 plus a few standing) expectations were high. Having seen Stirrat and Costello as part of Animal Society (led by Joe Williamson on guitar) at the Bridge in March 2020 (remembered as a highly energetic performance, and the last by JNE before Lockdown) along with McCreadie's energy and increasingly wide reputation added to the mix, along with Weir and Cahill (both new to me) I was sure that the sum of the parts would surely create some fireworks. 

Well, it did to some extent, but from a purist jazzer's point of view it was lacking in available spaces for individuals to step forward and focus on their own contribution. Once I realised that this was a new band/combination (to me) and they were promoting their new release Obelisk I settled into enjoying the overall sound being produced. 


I won't distinguish between the two sets, both were uninterrupted with segues between the ever changing mood and intensity of each part. I actually found it was a welcome surprise since overall it provided a more immersive feel to the ever-flowing, slowly changing rhythms and an overall immersive soundscape. 


The driving force was certainly the bandleader/composer Costello on drums, semi-hidden by the kit which included a spiral  'trash effect' cymbal, together with Stirrat on electric bass. Together they provided much of the driving force behind the strongly rhythmic sections. Both sets started quietly gradually gaining volume and complexity, taking us on a slowly developing sonic journey, morphing with near-repetition many times throughout. 


(© Ken Drew)
The accompanying photos also depict the dichotomy between individual and overall band performance. The colour photo, with no thanks to the harsh red and blue stage lighting which are tricky to expose and difficult to appreciate, but in black & white they buzz and somehow convey a sense of mood and energy which was there all the time.

So, an overall great night of music, of wider range and style than was anticipated. But I, like many I spoke to, went home happy to have experienced  Strata live.  Plus, there was a bonus for anyone able to listen to Jazz FM on their way home - at 10:45 they played  The Colossus  from their second album (2021).  This gave me the impetus to look further into their background and output since forming in 2016, and I strongly recommend people do just that. 


Costello's Bandcamp page states: 'I love minimalism, human repetition, improvisation, and cyclic grooves' and says 'Second Lives spans Reichian minimalism, semi-free jazz à la Binker and Moses, polyrhythmic math rock, and pensive, cinematic ambience.'   If only I'd read that first to save me discovering it during the performance and changing my expectations.  Enthralling stuff! Ken Drew

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