Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Friday, June 14, 2019

CD Review: David Stryker - Eight Track III


David Stryker (guitar); Stefon Harris (vibraphone); Jared Gold (organ); McLenty Hunter (drums); Mayra Casales (congas and percussion).
(Review by Hugh C).

David Stryker is an in-demand guitarist and educator based in NYC.  His two previous “Eight Track” releases were in 2013 and 2016.  Stefon Harris reminded Stryker that they needed to complete the Trilogy, an idea he could only say yes to.  The concept of all three albums was to take “classic melodies from the 70s” and “put my own stamp on them through the arrangements and playing”. 

Move on Up (Curtis Mayfield) – Papa Was a Rollin’ Stone (Norman Whitfield & Barrett Strong) -   Pretzel Logic (Walter Becker & Donald Fagen) – Too High (Stevie Wonder) are lively and poppy, led by Stryker on guitar with thoughtful assistance from Gold on Hammond-style organ and Harris on vibes.  We’ve Only Just Begun (Roger Nichols & Paul H. Williams) is the classic ballad with soulful contributions from guitar, and vibes.

This Guy’s In Love With You (Burt Bacharach & Hal David) – Everybody Loves the Sunshine (Roy Ayers) – After the Dance (Marvin Gaye & Leon Ware) continue the set with a return to the tempo and feel of the first four tracks.   Joy Inside My Tears (Stevie Wonder) provides the slow dance at the end of the prom.

The playing is crisp with a driving groove set by the powerhouse of Hunter’s drums and Casales’ percussion.  The overall sound is pleasant enough and well delivered – harmless, but not groundbreaking.  The Eight Track concept partly derives from Stryker’s experience as a high school kid driving around with an eight-track in his van.  Perhaps I have trouble with the concept as, despite being born the same year as Stryker, I never felt the need for an eight-track – cassettes, yes; vinyl (in its day), yes.  CDs, yes – although (poetic justice perhaps) my usual player refused to play the review disc and I had to listen to it on my laptop CD/DVD drive.

The accompanying press release suggests the CD should be filed under JAZZ, given that this is effectively a ‘70s tribute, perhaps EASY LISTENING would be more appropriate!
Hugh C
Eight Track III has been released by Strikezone Records (Catalogue No. 8818).

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