Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18897 (and counting) posts since we started blogging 18 years ago. 761 of them this year alone and, so far this month (Sept. 11.) 40.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Thu 17: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 17: Front Porch Blues @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 17: Amphitrio @ Pilgrim, Newcastle. 7:30pm. £7.00. Andrei Petrache (piano); Mike Alex (double bass); Philip Goron (drums).
Thu 17: Miles 100 @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. Jack Courtney (trumpet); Sue Ferris (tenor sax); Tom Atkinson (guitar); Alan Law (piano); Deon Krishnan (bass); Jeff Armstrong (drums). A night of Miles Davis.
Thu 24: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. .

Fri 18: Danny Lownes’ Hot Club @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Mark Williams Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 18: Emma Fisk’s Hot Club du Nord @ St Cuthbert’s Centre, Crook. 7:30pm. £10.00., £5.00. student.
Fri 18: Rivkala + Beccy Sloan @ Pilgrim, Newcastle. 7:30pm (doors). £10.00.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.
Sat 19: Sing Jazz! workshop @ The Globe, Newcastle. 2:00-5:00pm. £27.50. Tutor: Alexia Gardner: Nina Simone. Enrol at: learning@jazz.coop.
Sat 19: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.

Sun 20: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 20: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 20: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.

Mon 21: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 21: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. Coltrane centenary.

Tue 22: ???

Wed 23: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Lewis Watson Quartet @ The Lit & Phil, Newcastle. 7:30pm. A John Coltrane Centenary Concert (b. 23. 09. 1926). SOLD OUT!
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Friday, February 09, 2018

CD Review: Walter Smith III - TWIO

Walter Smith III (tenor); Harish Raghavan & Christian McBride (bass - 4 tracks each); Eric Harland  (drums) + Joshua Redman (tenor - 2 tracks).
(Review by Lance)
Since I heard Walter Smith III at Sage Gateshead back in 2013 I've been a fan. So much so that when I opened up the mail that had accumulated since I'd been away, this one jumped out in front leaving the other albums to fill the minor places in the race to the CD player.
My enthusiasm wasn't misplaced - it's a winner!
Ask Me Now is maybe my favourite Monk tune and here it is given a jaunty, almost whimsical treatment that takes nothing away from it.
Kern's Nobody Else But Me has Raghavan and Harland pushing the leader along. He doesn't mind at all - not judging by his solo!
On the Trail pairs Smith III with another tenor ace in Joshua Redman resulting in some non-violent sparring. Two gentlemen working out rather than two dockers on Pier 6! Still, superb playing by both.
We'll Be Together Again dispenses with bass allowing the tenorist total freedom which, whilst he accepts, doesn't take it as an opportunity to print notes at random!
I'll Be Seeing You lopes along nicely with McBride's lines inspirational and Harland dropping a few strategically placed bombs. Smith III has surely the best tenor sound since Getz I.
Adam's Apple: Wayne Shorter's composition could have been written with Walter Smith III in mind, so easily does he respond. He nails it, as does Harland with a compelling and imaginative solo.
The Peacocks: A meditative contemplative reading of the Jimmy Rowles classic before taking off for a brief flight. He returns safely.
Social Call: Gigi Gryce wrote this one and Jon Hendricks made it his. So, how would it fare without a vocal? Answer is that it's such a good tune anyway and, in the hands of Smith III and McBride, it can't fail - with or without words! Delightful!
Contrefact: Redman returns for this Smith III original based on Like Somewhat in Love. This time, the gloves are off but nobody gets hurt and maybe the honours go to McBride for his spritely solo.
Smith III elaborated on the choice of tunes: "I would try and alter tunes quite radically by rearranging, reharmonizing and altering meters to a point where I was barely playing the original song; but realized that I was confusing the point of playing the songs, so I began to interpret them more directly, as they were first meant to be played. For this album, out of around twenty recorded songs, I chose nine pieces that I have a particular relationship with and have always loved playing, including some which are maybe less frequently heard”. 
The idea worked and the end result is very worthwhile and another plaudit for Michael Janisch and the team at Whirlwind. 
Lance.
The album was released today (February 9) on Whirlwind Recordings WR4718. 

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