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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 1:00pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Friday, February 16, 2018

CD Review: Better Than TV - Song From No Man's Land

Alastair Appleton (sop sax); Gabriel  Bliard (trumpet); Louis Day (trumpet on 3 tracks); Simon Fothergill (trombone); Luke Congdon (piano); Ben Comeau (piano on 4 tracks); Daniel Duffy (guitar); Sergio Contrino (bass); Joe Davighi (drums); Cassie Gorman (voice); Rowan Haslam (cello. voice on 2 tracks).
(Review by Lance).
The second album by this Cambridge based band is somewhat different from the first. Late, reviewed here in 2015, was a tight contemporary sounding quintet whereas this current version is a larger, looser ensemble with bassist Contrino who composed the material the only common denominator.
Before I Go is a bit of a free for all with both vocalists pitching in and a lyrical trumpet solo from Bliard. One could almost call it Avant-garde Dixieland!
Gerico develops over an insistent drumbeat with Congdon's piano opening the batting followed byAppleton's soprano and some tightly muted Milesian trumpet, again from Bliard. Fothergill blows some lusty trombone riding the storm beneath him.
Standing With Sally - the vocal version - has Gorman dramatically seeking Sally. Davighi thumps the tubs effectively, the band riffs and Gorman takes it out.
Da Lontano: Ragtimey piano intro by Comeau,  swingy trumpet solo by Day who, respectively, make this a jaunty romp. Appleton's soprano and Fothergill's 'bone bounce phrases off each other before the latter goes it alone. More piano and Contrino's bass ever present.
Latin Song, ponderous voice by Gorman using the words of Ovid. This is Vatican Latin, not Brazillian.
Norway, delicate Comeau piano, searching soprano, muted trumpet then, suddenly, it becomes alive. Drums driving, soprano steering. There's an almost classical theme running through - P.Gynt perhaps?
For Louis - Louis being Louis Day who's well featured on the track. There's also a Hava Nagila quote from pianist Comeau in his intro.
Hey Joe features Haslam's expressive vocal chords. Fothergill's trombone, Appleton's soprano and Congdon's piano before drum 'n bass take over until Haslam sees it out.
Samba per mi is perhaps Gorman's best vocal.
Bus Stop Blu features a male voice (Contrino? the sleeve doesn't say)
L'attesta e' lunga; cello, soprano, piano are all in there pitching and,, in the end, the cello emerges triumphant. It's a strange ending with several bars of silence followed by girlish laughter then some unrelated piano!
A difficult disc to classify. I imagine that if you'd been to a Better Than TV gig you'd be on a high and want the album as a memento to relive the evening. However, listening to the album without the live experience I found it hard going at times. Having said that, there were still plenty moments that I loved and Better Than TV is definitely better than tv.

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