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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December
Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Saturday, September 16, 2017

CD Review: Sam Boshnack Quintet - The Nellie Bly Project

Samantha Boshnack (composer, trumpet, vocals); Beth Fleenor (clarinet, bass clarinet); Alex Chadsey (piano, keyboards); Isaac Castillo (upright/electric bass); Max Wood (drums); Valerie Holt, Anne Mathews (vocals tracks 1 and 3); Anne Whitfield (spoken vocals tracks 2 and 4)
(Review by Ann Alex).
Sam Boshnack, a bandleader based in Seattle, works with various ensembles and has been influenced by free jazz, Cuban rhythms and modern jazz. She has at least 4 previous albums to her credit, such as Go To Orange (2013) and Exploding Syndrome (2014). I enjoyed The Nellie Bly Project, which was as I expected from the notes supplied, full of a free jazz feel, lots of repeated riffs and unusual sounds.  In fact I must quote from the blurb in Downbeat ‘...’open voicings, jaunty tempos and buoyant timbral mixes have a friendly monster feel that achieves a bittersweet and elegiac mood of orchestral grandeur.’ 
Lance had earmarked the album for my attention, as it concerns the life and doings of Nellie Bly (real name Elizabeth Cochran), an American feminist, civil rights activist, and journalist, who lived from 1864 to 1922. A fascinating woman who wrote a book about the abuse suffered by mental health patients which led to reforms in the USA; she also travelled the world in order to challenge the fictional accounts of Jules Verne. Ms. Bly is also casually mentioned in the song Frankie And Johnnie but I don’t think that that has any bearing on her actual life.

The CD consists of 4 tracks, each one illustrating an aspect of her work. Expositions opens with a strong bass clarinet and concerns Bly’s statement that a true woman is ‘innocent, unaffected and frank’, which is sung chant-like over a rhythmic bass. The voice is joined by another, singing that ‘energy, rightly applied, can accomplish anything.’ The ensemble illustrates all this with energetic driving rhythms and repeated riffs.
Track 2, which I liked best, After One Is In Trouble, is all about Bly’s undercover assignment for the New York World newspaper, in which she feigned insanity so that she could investigate alleged brutality at a women’s lunatic asylum. This was illustrated by pounding persistent drumming, a crying, wailing trumpet, and a final mash up of madness by the whole band. This was not always easy to listen to, but I admired it as the music was true to the subject being explored.
Track 3 was on the happier theme of 72 Days, telling us about Bly’s attempt at going round the world in less time than it took Jules Verne in his fictional account. Bly had to fight hard to even be allowed to take this journey, which was by railroad and steamship, as shown by the rhythms and sounds of drums, bass clarinet and cymbals. Bly’s words are constantly repeated: ‘It’s only a matter of twenty-eight thousand miles... I shall be back again’ and ‘I would rather go in dead and successful than alive and behind time.’
The final track is Legacy, summing up Bly’s hope that things can be changed, with effective ensemble playing, then a final lone trumpet, which I reckon was Nellie Bly’s final plea for more justice in the world.
The CD was released on August 18, 2017, on the label Artists Recording Collective
 UPC-A 8-93682-00277-2
Ann Alex

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