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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

Saturday, September 16, 2017

CD Review: Sam Boshnack Quintet - The Nellie Bly Project

Samantha Boshnack (composer, trumpet, vocals); Beth Fleenor (clarinet, bass clarinet); Alex Chadsey (piano, keyboards); Isaac Castillo (upright/electric bass); Max Wood (drums); Valerie Holt, Anne Mathews (vocals tracks 1 and 3); Anne Whitfield (spoken vocals tracks 2 and 4)
(Review by Ann Alex).
Sam Boshnack, a bandleader based in Seattle, works with various ensembles and has been influenced by free jazz, Cuban rhythms and modern jazz. She has at least 4 previous albums to her credit, such as Go To Orange (2013) and Exploding Syndrome (2014). I enjoyed The Nellie Bly Project, which was as I expected from the notes supplied, full of a free jazz feel, lots of repeated riffs and unusual sounds.  In fact I must quote from the blurb in Downbeat ‘...’open voicings, jaunty tempos and buoyant timbral mixes have a friendly monster feel that achieves a bittersweet and elegiac mood of orchestral grandeur.’ 
Lance had earmarked the album for my attention, as it concerns the life and doings of Nellie Bly (real name Elizabeth Cochran), an American feminist, civil rights activist, and journalist, who lived from 1864 to 1922. A fascinating woman who wrote a book about the abuse suffered by mental health patients which led to reforms in the USA; she also travelled the world in order to challenge the fictional accounts of Jules Verne. Ms. Bly is also casually mentioned in the song Frankie And Johnnie but I don’t think that that has any bearing on her actual life.

The CD consists of 4 tracks, each one illustrating an aspect of her work. Expositions opens with a strong bass clarinet and concerns Bly’s statement that a true woman is ‘innocent, unaffected and frank’, which is sung chant-like over a rhythmic bass. The voice is joined by another, singing that ‘energy, rightly applied, can accomplish anything.’ The ensemble illustrates all this with energetic driving rhythms and repeated riffs.
Track 2, which I liked best, After One Is In Trouble, is all about Bly’s undercover assignment for the New York World newspaper, in which she feigned insanity so that she could investigate alleged brutality at a women’s lunatic asylum. This was illustrated by pounding persistent drumming, a crying, wailing trumpet, and a final mash up of madness by the whole band. This was not always easy to listen to, but I admired it as the music was true to the subject being explored.
Track 3 was on the happier theme of 72 Days, telling us about Bly’s attempt at going round the world in less time than it took Jules Verne in his fictional account. Bly had to fight hard to even be allowed to take this journey, which was by railroad and steamship, as shown by the rhythms and sounds of drums, bass clarinet and cymbals. Bly’s words are constantly repeated: ‘It’s only a matter of twenty-eight thousand miles... I shall be back again’ and ‘I would rather go in dead and successful than alive and behind time.’
The final track is Legacy, summing up Bly’s hope that things can be changed, with effective ensemble playing, then a final lone trumpet, which I reckon was Nellie Bly’s final plea for more justice in the world.
The CD was released on August 18, 2017, on the label Artists Recording Collective
 UPC-A 8-93682-00277-2
Ann Alex

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