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Farewell Blues

A quiet month so far...

Bebop Spoken There

Joe Daley: "We [Daley & Sam Rivers] did an entire tour, and nothing was discussed other than what time was dinner" - (JazzTimes Sept. 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14644 (and counting) posts since we started blogging 14 years ago. 922 of them this year alone and, so far, 21 this month (Oct.6).

From This Moment On ...

October

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 07: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 07: Hannabiell & the Midnight Blue Collective + Knats @ Dance City, Newcastle. 7:00pm. £15.00. (£12.50. student).
Fri 07: Dean Stockdale Quartet @ Saltburn Community Hall. 7:30pm. 'Celebrating Oscar'.
Fri 07: Mick Cantwell Quartet @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.
Fri 07: Anth Purdy @ Waterford Arms, Seaton Sluice. 8:00pm.
Fri 07: Rob Heron & the Tea Pad Orchestra @ Forum Music Centre, Darlington. 8:30pm.

Sat 8 Oct, Vieux Carré Jazzmen @ The Buck Inn, Thornton Watlass, Ripon HG4 4AH. 12.20pm. NOTE SATURDAY GIG AS OPPOSED TO REGULAR SUNDAY GIG. COACH FROM WHITLEY BAY NOW SOLD OUT!
Sat 08: Paul Skerritt w Danny Miller Big Band @ Westovian Theatre, South Shields. 7:30pm.
Sat 08: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.
Sat 08: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Maureen Hall's monthly residency one week later than usual.

Sun 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 09: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 09: Chip Wickham @ The Cluny, Newcastle.
Sun 09: Blue Jazz Quartet w Rivkala @ The Globe, Newcastle. 8:00pm.

Mon 10: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 10: Central Bar Quintet plays Blue Train @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Tue 11: Dean Stockdale Trio @ Forum Music Centre, Darlington. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 12: 4B @ The Exchange, North Shields. 7:00pm.
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 13: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 13: Hypothetical: Works Inspired by the Black Lives Matter movement @ King's Hall, Newcastle University. 1:15pm. Free.
Thu 13: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 13: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 13: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. The Mark Toomey Quartet with Mark Toomey (alto sax) Jeremy McMurray (piano) Peter Ayton (bass) Paul Smith (drums).

Saturday, September 02, 2017

Chris Sharkey Trio/Paul Edis Jazz Workshop @ Ushaw Jazz Festival 2017 - August 27

Chris Sharkey (guitar), Mick Barden (double bass) & Luke Reddin-Williams (drums) + Paul Edis
(Review by Russell/Photos courtesy of Brian Ebbatson)
Earlier this year Chris Sharkey enjoyed an extended residency at Newcastle’s Jazz Café during which he explored classic material recorded in the ’50s and ’60s focusing on the in-the-moment creative impulse. The Gateshead born guitarist decided to continue with the project and concert performances elsewhere were mooted. An early Sunday afternoon set in the Francis Thompson Room at the Ushaw Jazz Festival attracted a ‘Sunday roast and broadsheet newspaper’ crowd.  
The trio – Sharkey, Mick Barden, double bass, and Luke Reddin-Williams, drums – opened with Stella by Starlight. Expansive improvisation concealed the familiar melody (from some) as Chris Sharkey developed ideas; first this way, then that, bass and drums with him all the way. The set observed convention; retain the melody throughout the extended solo, bass solo, and a round of fours. All Blues, then A Night in Tunisia with Reddin-Williams’ furious drumming taking it out. And that was set one. Three tunes, forty-five minutes. Miles and Trane did it, so too Chris Sharkey.
Second set, All the Things You Are, all fifteen minutes of it, at a lick. Terrific! Chris Sharkey asked festival director Paul Edis if he would like to join the trio. Sharkey: Paul, do you want to start this one off for us? Solos all round on Footprints. Terrific! Half an hour in, time for one final number. A heavily disguised My Funny Valentine. Once again, terrific! 
Photos.
Jazz Workshop with Paul Edis @ Ushaw Jazz Festival 2017 - August 27
Following his spot with the Chris Sharkey Trio, Paul Edis conducted an informal workshop sitting at the piano in the Francis Thompson Room. The participants included a young flautist, a vocalist and a lapsed alto player who fancied having a blow after x number of years. Dr Edis’ students explored the rudiments, singing in key, finding middle C on the keyboard. Elementary standard, perhaps, the  important thing is all students took something from the workshop and left with renewed enthusiasm for jazz and a determination to put in those 10,000 hours of practice.             
Russell

1 comment :

Steve T said...

By Sunday lunchtime it was really down to the diehards to turn up for Chris Sharkey. A shame, for me this was the second best gig of a festival where the guitarists had it, but I would say that wouldn't I. Short of a disaster the previous afternoon, there was really only second place up for grabs.
The two sets were also very different from each other: a trio rather than Tulip’s quartet including piano, acoustic bass instead of pedalled-up bass guitar, and Sharkey, a southpaw, getting more sounds than he should be able to from a Strat against Tulip’s Gibson with a growing range of effects pedals.
A shame the busy, boozy couple of days caught up with Tulip and he couldn't get his lazy a$$ out of bed so had to kick himself for missing a masterclass in cutting edge jazz guitar. Two sets of just three pieces each, including All Blues and Night in Tunisia, with contrast coming from Lord Paul guesting on Shorter’s Footprints, seeming to attempt to perform with every group across the weekend. But it's Jazz so it wasn't so much the 'tunes' as what they did with them. Brilliant.

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