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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, August 21, 2016

Claire Kelly with Pete Gilligan @ The Globe: August 20

Claire Kelly (vocals); Pete Gilligan (piano).
(Review by Ann Alex/photo courtesy of Dave Parker).
And the BSH gold medal doesn’t go to Claire Kelly.  Lance will burst into tears when he reads that Claire rounded off her excellent performance with (yes!) Summertime. The audience of 6 or so soon became many, as Claire’s friends and admirers flocked in, so that by the end of the gig it was rather lively with a couple dancing at the front and shouts of encouragement from the audience. Pete had assisted with choosing the set list, so Claire was singing some numbers she’d not sung for a few years but you wouldn’t have guessed. Ms Kelly is soon to return to her current home in Thailand, a shame for us but Thailand’s gain, as she’s up there with the best of our ‘local’ women singers.
Confident, strong-voiced and with stage presence, Claire began with I’ve Got The World On A String; and We’ll Be Together Again, followed by very convincing scatting on Aqua De Beberfor contrast we had Ain’t Nobody’s Business But My Own, very bluesy, sliding up and down the scales and Pete in speakeasy mode, playing as well as we’ve come to expect, and better. Let’s Slip Away was from the singing of Cleo Laine, whom Claire once encountered in a lift; the first half closed with a ballad, A Song For You.
We resumed with Beautiful Love and This Masquerade both well-acted, not just sung, and Masquerade was given an improvised ending before being gently faded out. Then a song about clichés old and new (didn’t catch the title); Pete’s choice of Whisper Not; then I’ve Grown Accustomed To His Face and a Carmen McCrae song called Tip Toe Gently (I think). My Heart Belongs To Daddy was wonderfully sleazy, with strong sleazy-sounding chords from Pete who was obviously thoroughly enjoying himself, especially when he sang the last line for Claire, after making her laugh out loud .A lively West Coast Blues got a rather gospelly ending, to riotous applause, then came Summertime, just as the Metro called me home, so other songs could have followed for all I know.
A good time was had by all. Thank you, Claire, Pete and the Jazz Co-op.
Ann Alex

5 comments :

Liz said...

ha,ha,had a good laugh at"Summertime" Ann...cannot imagine why Lance dislikes it so much, or maybe it's because it is overdone by wannabes!!

Lance said...

I don't dislike 'Summertime'. It's a great song but, as you say, it's been overdone - not just by the 'wannabes' (which Claire has long moved up from) but by every singer - it's almost become their national anthem. I loved the first thousand renditions but after that I wondered why they didn't dip further into the Porgy and Bess songbook?

Ann Alex said...

Lance, Here is a question. Please answer carefully. About these wannabes, are they always singers or do you come across, say, saxophone or drum wannabes, or even banjo wannabes? Just a thought.

Lance said...

Of course Ann! From the moment you sit at the piano or behind the kit or blow your first note or sing the first chorus of 'The Wheels on the bus go round and round' you're a wannabe. How MUCH you want to be is what makes the difference.

Lance said...

The reviewer asked about a song Claire Kelly sang at the Globe last Saturday - it's called New Clichés.
Claire had first heard it on an album by singer Diane Hubka
(The above info was emailed to me by Nathan Allonby)

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance