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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Thu 22: Olly Styles (saxophone): Stage 2 recital @ The Music Sudios, Newcastle University. 10:00am. Free, all welcome.
Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Baghdaddies @ Spanish City Plaza, Whitley Bay. 3:00pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Northern Monkey Brass Band @ Spanish City Plaza, Whitley Bay. 4:30pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Sunday, May 17, 2015

Ruth Lambert Trio @ St. Cuthbert's Centre, Crook - May 15.











Ruth Lambert, vocals. Giles Strong, guitar and Mick Shoulder, bass.
(Review/photos by Jerry)
 Ruth, Mick and Giles have a CD out and, having heard most of the tracks from it here tonight, I bought one! The sleeve-notes include this quote (not sure from whom): “It’s all about the intimacy of the trio. Three voices, each one as important as the other.” That sums up the distinctive atmosphere and experience here tonight. Thanking the band at the end, the MC likened it to chamber music in its clarity and apparent simplicity and he knows more about music than I do! I stress “apparent” simplicity as there is much complexity in the writing and arrangements and much subtlety of technique in performance to achieve that end. A treat of a gig!
The GASbook was well represented with You and the Night and the Music and Old Devil Moon in the first few numbers. Later came Carmichael’s wistful Skylark  (bass and vocals only)followed  by I’m in the Mood for Love. We also had Devil May Care and Arlen’s perky I’ve got the World on a String.
During the interval the band had discussed possible rhythmic augmentation – conga drums or an egg, maybe? In the event neither of those were deployed but on Tizol’s Caravan Giles tapped out the rhythm on the body of his guitar just as Mick had done on the bass on Love for Sale. Later we had Cole Porter’s You’d Be so Nice to Come Home To, Time After Time (with Mick sort-of-singing on his solo – always a good sign!) and, as an encore (vociferously requested), Secret Love.
Ruth admitted that the GASbook has always been her “comfort zone” but  tonight (and this is mirrored on the CD) she was stepping boldly and brilliantly out of it! Mick’s arrangement of Softly, as in a Morning Sunrise, for example, was “tricky to sing”, but how well she sung it! Then there was a blues – Love me Like a Man – dedicated to B.B. King with whom Bonnie Raitt often collaborated. I loved this version!
Ruth’s love of a song that tells a story brought us something more recent (well, 1969!) – Al Wilson’s The Snake - a happy song about a tender lady rescuing a poorly snake from death in return for which “he gave her a vicious bite”! When they told me this was “a seminal Northern Soul song”, I didn't believe them! Their version was mesmerising and if you ever want hissing sibilants, Ruth’s the girl!
There were originals, too, which showed that Carmichael & Cahn did not have a monopoly on good tunes and thoughtful lyrics! I have heard Ruth sing A Love That Never Dies countless times but never knew till now that she penned it. I assumed it was someone like Jobim (which I assume Ruth will take as a compliment)! She and Mick co-wrote Lullaby, a slow, moody piece teetering on the line between comfortable and spooky! Giles Strong’s Everything Was Beautiful lived up to its name and had lyrics which, in my opinion, the old masters would be proud of, suggesting positives which might emerge from the otherwise sad break-up of a relationship. Mick Shoulder’s How Could I? was introduced with the speculation that one day people might refer to the Great North-Eastern Songbook! Why not? say I  - the first chapter has already been written!
With Mick Shoulder on bass and Giles Strong on guitar Ruth will be in good voice” was how Bebop…flagged up this gig. Spot on! Three more concerts are coming up here between now and November – do NOT miss them!
Jerry.

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