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Bebop Spoken There

Peter Vacher: “The Hopbine [public house] is a Tesco Express now, having been reinvented successively as Desi Dons, Bootsy Brogans, the Dog and Duck and, before that, the Chequered Flag.” – (Jazzwise October 2017)

Kyle Eastwood: “Naturally I listened to pop music when I was a kid – I’d spend two hours a day hearing it on the school bus! – but the very first music I heard in the house and the first concerts I went to were jazz.” – (Jazzwise October 2017)

Archives

Today Sunday October 22

Afternoon.
More Jam - The Globe, 11 Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Gerry Richardson's Big Idea - Hoochie Coochie, 54 Pilgrim St., Newcastle NE1 6SF. 5:00pm. FREE!

Blues @ The Bay - Tanner Smith's, 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Blues Jam w. Scott Wall & Charlie Philp.

Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.

Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. 8:00pm. £10.

Smokin' Mat Partner - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Groove-a-matics - Sour Grapes, Newgate Street, Morpeth NE61 1BU. Tel: 01670 519069. 8:30pm. Free. Johnny Whitehill, Mick Cantwell…none better!

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 7:30pm. Free.

Body and Soul - Quakerhouse, Mechanics’ Yard, Darlington DL3 7QF. 6:00pm. £5.00. Line-up: Richie Emmerson (tenor), Kevin Eland (trumpet & flugelhorn), Rick Laughlin (keys), Phil Laughlin (bass) & Stuie Ellerton (drums).

Vieux Carré Jazzmen - Hepscott Village Hall, Morpeth NE61 6LN. 8:45pm. £10 (includes pie 'n' peas supper).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 24, 2015

Brand & Sanders + Faye MacCalman 4tet @ Black Swan, Newcastle Arts Centre – May 21.

(Review/photos courtesy of Ken Drew)
A two-Set “Women Make Music” JNE presentation was received with much anticipation heralding, as it did, the return of Sarah Gail Brand - resulting in a decent sized audience.
Sarah Gail Brand (trombone); Mark Sanders (drums). 
These guys need no introduction – although Sarah’s rare visits to Tyneside make this a near possibility - unless your memory takes you back to 2007.  It was noted that her longest established and most empathetic musical relationship is with drummer Mark Sanders, although, sadly for us, they’ve never appeared on Tyneside as a duo until now.  However, Mark performed at the GIJF in 2014 and, prior to that, with Paul Dunmall’s group at Cluny2.  
But it was straight in at the deep end for Sarah, leading with a multitude of rhythms, sounds, gasps and  much physical excursion,  with Mark following her every move through what appeared to be putting the trombone (and her own technique) through its paces.  She combines most enthusiastically an abstract approach to melody along with a tone that varies between great purity and earthiness, but always sonorous.  The duo seemed perfectly aligned and always in-sync whilst each giving the other space to express and explore.  The array of sounds from Sarah was expertly matched by Mark’s equally large array of ‘devices’ which complement the drum kit at which he sat (well, most of the time).  Three separate pieces came from the duo - each full of energy and intrigue, always twisting and turning yet flowing seamlessly. A veritable Masterclass disguised as yet another Free Improv gig in Newcastle.   But the musicianship and the audience’s overall delight gave that one away!  
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 Faye MacCalman (sax); Pete Curry (piano); John Pope (bass); Christian Alderson (drums)
The first set was also eagerly anticipated giving exposure to a new local ‘4tet’. Whilst Faye had performed recently on the same stage (with bass and electronics) prior to Linda Sharrock’s excellent performance earlier this month, this was their first outing as a unit – but you really would not have guessed that.  Nor would you guess (why would you?) that Faye is about to finish her degree and then take that big step into full time music.   The piece they performed worked well throughout.  Mostly led by Faye’s eminently confident sax playing, and occasionally driven by the bass – sometimes rhythmically and other times by loud interjections from one of his strings.  The keys were solid in their support, and the drums were at least that, if not also a pre-cursor to what would follow in the next set.  Overall, I couldn’t say what the style was – apart from nicely (and sometimes surprisingly) varied and truly Improv from start to finish.   Nice one guys – well done!
Ken Drew.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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