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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Sunday, May 24, 2015

Brand & Sanders + Faye MacCalman 4tet @ Black Swan, Newcastle Arts Centre – May 21.

(Review/photos courtesy of Ken Drew)
A two-Set “Women Make Music” JNE presentation was received with much anticipation heralding, as it did, the return of Sarah Gail Brand - resulting in a decent sized audience.
Sarah Gail Brand (trombone); Mark Sanders (drums). 
These guys need no introduction – although Sarah’s rare visits to Tyneside make this a near possibility - unless your memory takes you back to 2007.  It was noted that her longest established and most empathetic musical relationship is with drummer Mark Sanders, although, sadly for us, they’ve never appeared on Tyneside as a duo until now.  However, Mark performed at the GIJF in 2014 and, prior to that, with Paul Dunmall’s group at Cluny2.  
But it was straight in at the deep end for Sarah, leading with a multitude of rhythms, sounds, gasps and  much physical excursion,  with Mark following her every move through what appeared to be putting the trombone (and her own technique) through its paces.  She combines most enthusiastically an abstract approach to melody along with a tone that varies between great purity and earthiness, but always sonorous.  The duo seemed perfectly aligned and always in-sync whilst each giving the other space to express and explore.  The array of sounds from Sarah was expertly matched by Mark’s equally large array of ‘devices’ which complement the drum kit at which he sat (well, most of the time).  Three separate pieces came from the duo - each full of energy and intrigue, always twisting and turning yet flowing seamlessly. A veritable Masterclass disguised as yet another Free Improv gig in Newcastle.   But the musicianship and the audience’s overall delight gave that one away!  
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 Faye MacCalman (sax); Pete Curry (piano); John Pope (bass); Christian Alderson (drums)
The first set was also eagerly anticipated giving exposure to a new local ‘4tet’. Whilst Faye had performed recently on the same stage (with bass and electronics) prior to Linda Sharrock’s excellent performance earlier this month, this was their first outing as a unit – but you really would not have guessed that.  Nor would you guess (why would you?) that Faye is about to finish her degree and then take that big step into full time music.   The piece they performed worked well throughout.  Mostly led by Faye’s eminently confident sax playing, and occasionally driven by the bass – sometimes rhythmically and other times by loud interjections from one of his strings.  The keys were solid in their support, and the drums were at least that, if not also a pre-cursor to what would follow in the next set.  Overall, I couldn’t say what the style was – apart from nicely (and sometimes surprisingly) varied and truly Improv from start to finish.   Nice one guys – well done!
Ken Drew.

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