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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Mississippi MacDonald @ Claypath Deli, Durham. 7:00pm. Blues.
Sat 22: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Laundrette, Durham. 7:45pm. £16.50. SOLD OUT!
Sat 22: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Mark Williams Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 23: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Mu Quintet @ The Globe, Newcastle. 8:00pm.
Sun 23: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, May 15, 2015

R.I.P. BB King

BB King died yesterday (May 14) in Las Vegas - he was 89.
Guitarist, singer, icon, BB was one of the few who crossed the genres and was loved by all. Primarily a bluesman, he also moved in rock and roll circles as well as being not unknown amongst the jazz fraternity.
I saw him live at the North Sea Jazz Festival at the Hague back in the 1980s but my biggest memory was at the same festival when I didn't see him but most certainly heard him.
It was a hot July day and BB was performing inside a marque. All tickets were sold but, by sitting on a grassy knoll outside (a bit like Henman Hill or Murray Mound at Wimbledon), the sound came across loud and clear. A glass of bessenjenever (a Dutch blackcurrent gin), a plate of Maatjesharing (pickled raw herring) and the greatest blues singing of the later 20th century was as near to Shangri-la as I've known.
May he Rest In Peace.
Lance.
(Photo courtesy of Andy Hudson - see comments - taken at Capital Jazz Festival)

2 comments :

Andy Hudson said...

Very sad ref BB King- One of the last of the legends that I had the privilege of working with in the 70s and 80s. He was always the perfect gentleman and an efficient ultimate artiste, non-fussy , non-demanding , no whinges about riders or any such nonsense.

He just hit the stage with his trusty “Lucille” and played and sang (Lucille of course being the guitar –for aficionados was originally a Gibson L-30 – This morphed over time so that Gibson eventually produced their own “Lucille” model for general release).

When I left the North East in 79, after producing that Middlesbrough Jazz event at Ayresome Park, He was a headliner in the first Alexandra Palace Jazz Festival along with Muddy Waters, Chuck Berry, Hampton, Dizzy and many more. He continued to be a regular in our festivals into the 90s. Always a joy to work with, watch and listen to. Will be much missed

Maurice Summerfield said...

In his autobiography B.B. King talks about his favourite guitarists and says - for example 'Id listen to records by Barney Kessel, the great jazz guitarist who played at many Jazz at the Philharmonic concerts, and my jaw would drop. I was awe struck by the structure of his ad-libs. He had the gift of being complicated and simple at the same time. His amplified voice on guitar had a calm beauty that felt like poetry. I followed Barney Kessel's musical stories like a kid following a fairy-tale.

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