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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Mississippi MacDonald @ Claypath Deli, Durham. 7:00pm. Blues.
Sat 22: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Laundrette, Durham. 7:45pm. £16.50. SOLD OUT!
Sat 22: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Mark Williams Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 23: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Mu Quintet @ The Globe, Newcastle. 8:00pm.
Sun 23: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, May 04, 2015

Book Review: Music is Forever - Dizzy Gillespie, the Jazz Legend and Me by Dave Usher w. Bert Falbaum

Jazz tomes these days are becoming increasingly more accessible, by which I mean that they tell a story the non-dedicated jazz person can relate to.
Edward Allan Faine's The Best Gig in Town gave us an insight into the various artists who appeared at the White House during the Nixon administration and Music is Forever also pays a few visits to the White House.
Music is Forever  is a fascinating recollection by Dave Usher of his association and deep friendship with Dizzy Gillespie - a friendship that began when Usher was 14 year-old and gave Dizzy and his wife a lift from a concert hall to their hotel. During the war years age restrictions on driving were lifted thus enabling young Usher to meet his idol and be of service.
This isn't a book riddled with "..and then Dizzy recorded 8 sides for RCA" or a technical analysis of solos accompanied by pages of musical notation. No, this is a personal recollection by a guy who was maybe Dizzy's closest friend. We get inside info on many of the trumpet star's state sponsored trips abroad. Like the South American jaunt where fellow trumpet player Joe Gordon complained he wasn't getting any solos. Dizzy said, "You can play Night in Tunisia on the next gig" The next gig happened to be in Quito, Ecuador, the highest capital city in the world where the air was extremely rarified - it almost killed the poor guy!
But the warmth that comes through in this book is incredible - these were two guys who had a bond forged through jazz. Dizzy, a black musician, Dave, a white, Jewish non musician, found. as I'd like to think all BSH readers do, that jazz transcends race, religion, politics - it certainly did with Diz (although he did run for President in 1964 against Johnson and Goldwater - imagine if he'd made it!) His manifesto included Charles Mingus as Minister of Peace he'll take a piece of your head faster than anyone I know! and Jon Hendricks as Poet Laureate.
Diz didn't make the final cut but he did play the White House in 1972 under Carter and 1978 when George H.W. Bush was top man.
Apart from Diz, Usher also has his own story to tell.
The family business was re-cycling oil and, before he became president of the company, he'd developed pioneering techniques and methods for cleaning up oil spills etc. He also, after meeting Dizzy, formed the Dee Gee label. Remember The Champ? that was on Dee Gee - I wonder why it has slipped out of the current bop bands' repertoires? 
Dave Usher was also involved with Chess Records via their Argo label recording artists such as Sonny Stitt and Ahmad Jamal.
Co-writer Berl Falbaum, who got in on the ground floor of the Usher/Gillespie association, realised there was a story to be told. It took him 20 years to get the project off the ground but I'm pretty damn sure it was worth waiting for. Can you wait for Christmas?
Lance.

1 comment :

Hilary S said...

Mike and I were newly wed and living in Glasgow. In 1972-3 our dear late beautiful friend Ruby Carter who was the vocalist in the Locarno band which Mike worked in, had been invited to a party that a local business man was giving in a large marquee. Lots of live music (even a pipe band) I can't now recall some of the other bands names.
In one corner Ruby saw Dizzy and trio setting up with the one and only Carmen McRae. We stood in awe listening to their set. Mike, being a trumpet player, was a huge fan of Dizzy. We were invited back to their hotel for drinks.
Being newly married to a musician I wasn't aware that one had to remain cool at all times in the presence of the great and good. Mike and I had just acquired a kitten and named him Dizzy. I started to tell the great man this, when I was aware of a certain pressure on my arm from Mike (trying to shut me up) However as Dizzy had this wonderful beaming smile on his face, I continued. Everyone relaxed and started to laugh as Dizzy said, “Gee you guy's called a little kitty cat after me?" Carmen then said laughingly, “I always knew you were an old dog John, I never knew you were a kitty cat".
Many years later when Zoe and I met the lovely Jeanie Bryson, Dizzy’s daughter, in New York, I told her the story...she also laughed.

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