Total Pageviews

Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Tuesday July 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Gala Big Band w. ALAN BARNES: Strictly Come BRASSing - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £15.00. (£12.00. concs.). A Durham Brass Festival event.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 813983 (info). 8:00pm. £5.00. (inc. raffle). RCJ with Don Armstrong (clarinet, saxophone, penny whistle, vocals).

-----

SOLD OUT!

Zoe Rahman & Laura MacDonald - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192.. 8:00pm. £12.00. (£10.00. concs.). JNE.

-----

Northern Monkey Brass Band - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 21, 2015

Kurt Elling with the Scottish National Jazz Orchestra @ Sage Gateshead. May 20

(Review by Russell)
It is rare to be in the presence of a genuine superstar. On Wednesday evening one such occasion occurred at Sage Gateshead. The Scottish National Jazz Orchestra once again graced the stage in the world-class surroundings of Hall One on the banks of the Tyne. Master of Ceremonies George Duncan introduced the band, led by its Artistic Director Tommy Smith, to present a concert celebrating the centenary year of the birth of Frank Sinatra featuring special guest star Kurt Elling.
To describe Kurt Elling as a ‘special guest’ doesn't begin to attest to the singer’s global status; the vocalist from Chicago, Illinois, is, indisputably, top of the list, number one. The American strolled out into the spotlight in bespoke light grey, check suit and tan shoes. Sixty five minutes later the first set drew to a close. Elling sang without a break, never leaving the stage, the epitome of class. The baritone voice opened the programme with I Only Have Eyes For You. Fabulous, absolutely fabulous. Day In, Day Out. More fabulous singing, a man in total command of his art. The SNJO, perhaps the finest band in Europe, gave Elling everything he could possibly desire of an ensemble. Well known names peppered the sections: Tommy Smith and his fellow reeds of  Konrad Wisznieski, Martin Kershaw, Paul Towndrow and Bill Fleming; trombone men Chris Grieve and the hirsute Michael Owers; Tom MacNiven and Cameron Jay (trumpets) and one of the best rhythm sections around led by Brian Kellock (piano), new boy Joe Williamson (guitar), the very hirsute Calum Gourlay (double bass) and the pocket battleship, drummer Alyn Cosker.
Witchcraft, a dynamic Luck Be a Lady, The Good Life, Nelson Riddle’s arrangement of All or Nothing, then, same arranger, Summer Wind (the rich baritone simply wonderful), every tune out of this world. How about Night and Day? A favourite tune, magnificent! The interval consensus: magnificent! Collective surprise at, and admiration of, Elling’s stamina. Second set…
Altoist Martin Kershaw stepped out front to solo on a Lawrence Hobgood arrangement of Come Fly with Me (very much Elling’s personal take on the timeless number). You Make Me Feel So Young (the excitement was palpable, your reviewer’s notes: WOW!). Konrad Wiszniewski impressed as Elling implored: Get Me to the Church on Time. This being a Sinatra (Elling/Sinatra) show, My Kind of Town was kinda inevitable, and none the worse for it.
The orchestra performed brilliantly (as one has come to expect), Tommy Smith for once played second fiddle (tenor sax) to Kurt Elling. A word about Joe Williamson (guitar), a young musician studying in Scotland, schooled in the Tees Jazz Delta, it was just great that Smith informed the young man he was ready to make his debut with the band at Sage Gateshead. The north east of England is a hotbed of talent, no doubt about it. A new arrangement, again a personal take by Elling, of I Only Have Eyes For You featured a superb flugelhorn solo by Lorne Cowieson. Solo spots were limited as the focus of attention for much of the evening was, rightly, on the magnetic Kurt Elling.
Kurt Elling is a superstar, Frank Sinatra is a legend. Different eras, differing styles. One should avoid comparison, they stand alone as imperious performers. Gig of the Year. 
Russell.
Kurt Elling (vocals), The Scottish National Jazz Orchestra: George Duncan MC,
Tommy Smith MD (tenor saxophone, flute), Konrad Wiszniewski (tenor saxophone, clarinet & flute), Martin Kershaw (alto saxophone, clarinet & flute), Paul Towndrow (alto saxophone & flute), Bill Fleming (baritone saxophone & flute), Tom Walsh (trumpet), Tom MacNiven (trumpet), Cameron Jay (trumpet), Lorne Cowieson (trumpet & flugelhorn), Chris Greive (trombone), Kieran McLeod (trombone), Phil O’Malley (trombone), Michael Owers (trombone), Brian Kellock (piano), Joe Williamson (guitar), Calum Gourlay (double bass) & Alyn Cosker (drums)

3 comments :

Debra Milne (on F/b) said...

I think Russell might have enjoyed the gig!

Kath Jobes said...

Yeah so much that Elling got an additional L in his name lol ;-)

Lance said...

Well spotted Ms Spell-Check - you've got the job(es). Now corrected.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance