Bebop Spoken There

John Donegan: ''What you take in through your ears can come out through your fingers.'' (Notes to Which Direction October, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,041 (and counting) posts since we started blogging 18 years ago. 905 of them this year alone and, so far this month (Oct. 26) 84.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 27: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest Julija Jacenaite.
Tue 27: Eva Fox & the Sound Hounds @ Newcastle Arts Centre. 7:30pm. Free (donations).

Wed 28: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 29: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 29: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 29: Radio Pensacola Band @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Featuring guest Jan Spencelayh.
Thu 29: Simon Taylor Band @ Newcastle Arts Centre. 7:30pm. £8.00.
Thu 29: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb Chicago blues band.

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).

November

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Donna Hewitt (tenor sax, clarinet)
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Sarah Heneghan Trio @ The Globe, Newcastle. 8:00pm.

Mon 02: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tuesday, May 05, 2015

CD Review: Samuel Blaser Quartet - Spring Rain

Samuel Blaser (trombone), Russ Lossing (piano, Fender Rhodes, Wurlitzer & Minimoog), Drew Gress (double bass) & Gerald Cleaver (drums).
(Review by Russell)
Samuel Blaser’s debut release for Whirlwind Recordings features his established quartet of Russ Lossing, Drew Gress and Gerald Cleaver. An homage to Jimmy Giuffre, Spring Rain comprises twelve tracks (six Blaser tunes, one by Blaser and Lossing, three lesser-known Giuffre numbers and two Carla Bley compositions) embracing jazz, blues, freely improvised sections and Blaser’s scholarly contemporary classical roots.
Recorded in New Jersey and Berlin, Spring Rain is a study for trombone; considered and melodic playing throughout, collective improvisation retaining form and shape. Rarely a frantic workout, the album exudes a quiet dignity often associated with Jimmy Giuffre. A downbeat opening on Giuffre’s Cry Want indicates the direction Blaser wishes to pursue. Trombone multiphonics engage with Lossing’s piano (Fender Rhodes on several tracks), an absence of bass and drums. Homage (to Giufrre?), all sixty xix seconds, is Blaser solo, slow brass band clarity. The title track – Spring Rain – begins darkly; keyboard clusters, abstract, dampened keys, Blaser’s instrument muted, brassy, intense, improvised.
An album of quiet dignity, Spring Rain rarely stretches out. Missing Mark Suetterlyn is a rip-roaring exception. Lossing picks out the melody, master drummer Gerald Cleaver hits on a swinging, bluesy, post-bop groove and takes bassist Drew Gress with him. There is more up tempo playing on the penultimate track – Counterparts – with hints of funk, the leader’s emergent plaintive trombone and collective improvisation. Spring Rain is likely to appeal to trombonists and those with an interest in developments in contemporary, new music. Spring Rain is available on Michael Janisch’s prolific Whirlwind Recordings – WR4670. Samuel Blaser will be in the UK in the autumn of this year to tour the music of Spring Rain, including an appearance at the EFG London Jazz Festival.          
Russell.    

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