Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Tuesday, May 05, 2015

CD Review: Samuel Blaser Quartet - Spring Rain

Samuel Blaser (trombone), Russ Lossing (piano, Fender Rhodes, Wurlitzer & Minimoog), Drew Gress (double bass) & Gerald Cleaver (drums).
(Review by Russell)
Samuel Blaser’s debut release for Whirlwind Recordings features his established quartet of Russ Lossing, Drew Gress and Gerald Cleaver. An homage to Jimmy Giuffre, Spring Rain comprises twelve tracks (six Blaser tunes, one by Blaser and Lossing, three lesser-known Giuffre numbers and two Carla Bley compositions) embracing jazz, blues, freely improvised sections and Blaser’s scholarly contemporary classical roots.
Recorded in New Jersey and Berlin, Spring Rain is a study for trombone; considered and melodic playing throughout, collective improvisation retaining form and shape. Rarely a frantic workout, the album exudes a quiet dignity often associated with Jimmy Giuffre. A downbeat opening on Giuffre’s Cry Want indicates the direction Blaser wishes to pursue. Trombone multiphonics engage with Lossing’s piano (Fender Rhodes on several tracks), an absence of bass and drums. Homage (to Giufrre?), all sixty xix seconds, is Blaser solo, slow brass band clarity. The title track – Spring Rain – begins darkly; keyboard clusters, abstract, dampened keys, Blaser’s instrument muted, brassy, intense, improvised.
An album of quiet dignity, Spring Rain rarely stretches out. Missing Mark Suetterlyn is a rip-roaring exception. Lossing picks out the melody, master drummer Gerald Cleaver hits on a swinging, bluesy, post-bop groove and takes bassist Drew Gress with him. There is more up tempo playing on the penultimate track – Counterparts – with hints of funk, the leader’s emergent plaintive trombone and collective improvisation. Spring Rain is likely to appeal to trombonists and those with an interest in developments in contemporary, new music. Spring Rain is available on Michael Janisch’s prolific Whirlwind Recordings – WR4670. Samuel Blaser will be in the UK in the autumn of this year to tour the music of Spring Rain, including an appearance at the EFG London Jazz Festival.          
Russell.    

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