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Bebop Spoken There

Artie Shaw: “I'm not interested in giving people what they want--I'm interested in making music.” – (DownBeat October 15, 1939).

Jason Marsalis: “There's so many places that this music can go and there's a lot yet to be discovered.'” – (DownBeat April 2018)

Today Sunday March 18


Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 12 noon. Free.

Jason Isaacs & the Ambassadors of Swing - Hoochie Coochie, Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. 5:30pm (doors 4:00pm). £16.00.

Revolutionaires - Tyne Bar, Maling St, Newcastle NE6 1LP. 3pm. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).


POSTPONED DUE TO WEATHER! Zoë Gilby Quartet - Black Bull, Bridge Street, Blaydon NE21 4JJ. 8:00pm. £5.00. Rescheduled August 19.

Alter Ego - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

Bradley Johnston - The Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 6:00pm. Free. New weekly residency.

Gypsy Dave Smith - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 05, 2015

CD Review: Samuel Blaser Quartet - Spring Rain

Samuel Blaser (trombone), Russ Lossing (piano, Fender Rhodes, Wurlitzer & Minimoog), Drew Gress (double bass) & Gerald Cleaver (drums).
(Review by Russell)
Samuel Blaser’s debut release for Whirlwind Recordings features his established quartet of Russ Lossing, Drew Gress and Gerald Cleaver. An homage to Jimmy Giuffre, Spring Rain comprises twelve tracks (six Blaser tunes, one by Blaser and Lossing, three lesser-known Giuffre numbers and two Carla Bley compositions) embracing jazz, blues, freely improvised sections and Blaser’s scholarly contemporary classical roots.
Recorded in New Jersey and Berlin, Spring Rain is a study for trombone; considered and melodic playing throughout, collective improvisation retaining form and shape. Rarely a frantic workout, the album exudes a quiet dignity often associated with Jimmy Giuffre. A downbeat opening on Giuffre’s Cry Want indicates the direction Blaser wishes to pursue. Trombone multiphonics engage with Lossing’s piano (Fender Rhodes on several tracks), an absence of bass and drums. Homage (to Giufrre?), all sixty xix seconds, is Blaser solo, slow brass band clarity. The title track – Spring Rain – begins darkly; keyboard clusters, abstract, dampened keys, Blaser’s instrument muted, brassy, intense, improvised.
An album of quiet dignity, Spring Rain rarely stretches out. Missing Mark Suetterlyn is a rip-roaring exception. Lossing picks out the melody, master drummer Gerald Cleaver hits on a swinging, bluesy, post-bop groove and takes bassist Drew Gress with him. There is more up tempo playing on the penultimate track – Counterparts – with hints of funk, the leader’s emergent plaintive trombone and collective improvisation. Spring Rain is likely to appeal to trombonists and those with an interest in developments in contemporary, new music. Spring Rain is available on Michael Janisch’s prolific Whirlwind Recordings – WR4670. Samuel Blaser will be in the UK in the autumn of this year to tour the music of Spring Rain, including an appearance at the EFG London Jazz Festival.          

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.