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Bebop Spoken There

Mark Walker: "A drummer in a big band is always happy. It's like driving a big bus." - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday July 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Jam Session - Black Swan Bar, Newcastle Arts Centre, Westgate Rd., Newcastle NE1 1SG. Tel. 0191 222 9882. 8:00pm. House trio: Stu Collingwood; Paul Grainger; Matt MacKellar.

Archipelago & J Frisco + Mark Williams Trio - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £9.90.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, July 21, 2014

Jumpin’ Hot Club stage @ Summertyne Americana Festival. July 20

(Review by Russell).
The weather forecast for Sunday afternoon at this year’s Americana Festival was so much better than Saturday’s rain-interrupted affair. Noon. A dog day afternoon - hot, humid, an expanse of blue sky over Sage Gateshead. Folding tables and chairs, picnic baskets, rugs, a chuck wagon to feed a Confederate platoon and beer a-plenty to wash it all down.
The pick of the day’s action scheduled at either end of the day suggested a split shift visit to the pub was in the offing for your Bebop Spoken Here correspondent. Fickle Lilly are a busy band gigging around the north east. Making a return visit to Gateshead, their early start (and early finish) enabled them to head north to play a set later in the afternoon at a blues festival in Wooler. 
Fickle Lilly are all about goodtime rock ‘n’ roll. Sheila Robson (vocals) led the five piece band in an energetic, entertaining set. Guitarist Ally Lee engaged in banter with the audience (Performance Square was packed from the off), making clear his love of pies (his ample frame a give-away). Piano, bass and drums (Gordon Hall, Steve Martin and George Waters) laid the foundations on a quick-fire set of tunes including Colin James’ Rocket to the Moon and JD McPherson’s Dimes for Nickels. The band blazed a trail on Stevie Ray Vaughan’s Love Struck Baby and Robson sang about a subject few of us knew anything about…When I Get Drunk.
The first of two eagerly anticipated sets featured an appearance by Dan Blues Boy Owen. A Sunday morning four hour drive from Shrewsbury is nothing to a travelling, gigging bluesman. Owen, twenty two years old, is a one man blues band. He brought with him two acoustic guitars, a harmonica and a stomp box (foot beat box). The high bar stool he sat on perhaps made the journey with him. Owen’s amplified stomping was of such precision it is likely the bar stool is akin to a custom made item, integral to his performance. An accomplished guitarist, Owen possesses a fantastic, big blues voice. He used it on Walking Blues, Forget Me When I’m Gone, Little Red Rooster, Willie Nelson’s Roll Me Up and Smoke Me When I Die and a couple of Bob Dylan numbers – Girl From the North Country and to finish his set, Ballad of Hollis Brown. The crowd rose to its feet, affording a standing ovation to the man from Shrewsbury. Dan Owen is a remarkable young musician. If you run a blues club, book him. You won’t regret it.
To end the day on the Jumpin’ Hot Club stage, an end-of-tour gig by Davina and the Vagabonds had a celebratory end-of-term feel to it. Bandleader Davina Sowers couldn’t recall how long the band had been on tour in Europe – clearly it was time for them to head home to America! Her five piece band ripped into two original numbers – Black Cloud and from their latest CD, Sunshine – before the ebullient Sowers pronounced that the show would be a rollercoaster revue of one hundred years of Americana. I’ve Found a New Baby (the brass section hot, hot, hot), Ain’t That a Shame, Bourbon Street Parade, all delivered with street brass pizzazz (Ben Link trombone and Andrew Burns double bass relentless with their Big Easy grooves) . No time to pause for breath – Chuck Berry’s Back to Memphis maintained the unforgiving pace. The members of Sowers’ band could have stepped out of the Lincoln Center Jazz Orchestra’s sections, so good were they. Drummer Connor McCrae Hammergren took it down with a sweet vocal on You’re Just in Love. Daniel Eikmeier took the vocals and a superb trumpet solo on a blazing Shake That Thing. Sowers obliged a request with St Michael Vs the Devil. The highlight of the weekend (in fact a serious contender for performance of the year) heard Sowers sing a spine-tingling I’d Rather Go Blind. Massive vocals, a festival crowd silenced, what a star! A crazy St James Infirmary brought the show to a close. Every Stetson stood, an epic ovation hailed Davina and the Vagabonds. What a way to end their European tour! What a way to end Summertyne Americana 2014! The Stetsons wouldn’t let them leave just yet…More! More! Back they came and the dancing Stetsons took home Bill Bailey.          
Russell.         

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance