Total Pageviews

Bebop Spoken There

Sting: "It was great. They [the River City Jazzmen] all wore blue suits. The band had been together for about twenty years, which was the same age as the suits." - (Melody Maker Sept. 22, 1979).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday October 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 3:00pm/5:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, July 09, 2014

Improvisers’ Workshop @ The Jazz Café. July 8

Andy Champion (electric bass & electronics) & Wes Stephenson (drums) + Paul Edis (piano), Harley Johnson (piano), Dougie Fielder (tenor saxophone), Zoe Gilby (voice), Julie Allan (voice), ? (mandolin & cello), Penny (cello), ? (flute), Nialls ? (mandolin & shakers), ? (bodhran)
(Review by Russell).
The first in a new monthly workshop session at the Jazz Café curated by (in old money ‘led by’) bassist Andy Champion with sparring partner for the evening Wes Stephenson (drums), the question uppermost in the mind: would anyone turn up? They did, faces old and new. The jazz faces were there, so too some non-jazz faces.
Champion and Stephenson started proceedings with our seated curator looking down at an array of flashing lights on a pedal board and a half. Pianist Paul Edis was the first to throw his hat in the ring, seating himself at the upright looking, listening for an opening.
Seizing his opportunity, Edis made this opening piece a three way conversation. A good beginning to a new venture. Edis departed, leaving the floor open to all comers.
Dougie Fielder, having travelled from Cumbria, got up and gave it a go. In no time a mandolin joined the orchestra, then a cello, then, all the way from Stanley, County Durham, Harley Johnson. HJ is a pianist, a good pianist. HJ decided to dismantle the piano, front top panel then, sitting on the floor, the bottom panel. The piano lid was down. HJ didn’t seem to notice. Much banging (HJ remained seated on the floor), plucking and strumming ensued. Our pianist stood up and much banging, plucking and strumming of strings on the upper half of the upright ensued. In an aside the Jazz Café’s proprietor said: I’ll have to get the thing tuned. There was the temptation to tell HJ that the piano lid wasn’t locked.
Our mandolin player suggested HJ play the keyboard. Zoe Gilby and Julie Allan decided to add voice to the collective. Numbers grew, at one point perhaps ten musicians played together. Some knew when to drop out, at times the larger ensemble lost focus, refocused and finally resolved the improvisation. At Champion’s suggestion the final piece of the evening would begin with all ten participants starting simultaneously. And they did, with gusto (who needs Ornette?). Mid-point, mandolin attempted to subvert matters with a clearly delineated Autumn Leaves. Blink and it was gone. Next month’s workshop begins at eight o’clock, second Tuesday (August 12). Participants (all instruments) and listeners welcome.          
Russell.       

1 comment :

Lance said...

Crombie must be turning in his grave...

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance