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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Monday, January 20, 2014

Steve Glendinning Quartet @ The Bridge Hotel, Newcastle. January 19.

Steve Glendinning (gtr); Chris Jelly (vbs); Mike Clarke (bs gtr); Mark Robertson (dms).
(Review by Lance)
Over the years I've heard most of the masters of the vibraphone - Red Norvo, Lionel Hampton, Milt Jackson, Terry Gibbs, Victor Feldman, Tubby Hayes, Bill le Sage, Gary Burton, Bobby Hutcherson, Jim Hart, Corey Mwamba (in Newcastle next week for the JNE Fundraiser) and now Chris Jelly can be added to that list.
It wasn't a complete surprise to me as I'd heard him previously with King Bee so I knew he was good but tonight...!!
Not that this was a one man show, leader Glendinning matched him every step of the way with some beguiling guitar magic.
The material was a mix of originals by the frontline as well as pieces by Metheny and Gary Burton. Both sets opened up with an unaccompanied feature (Glendinning set 1 - Jelly set 2). Delicate, almost classical in concept, the mood was created for the entry of the others who duly enhanced the ambience. Burton and Metheny were were apt choices to draw from as the brand of jazz/rock/fusion the quartet played was reminiscent of the Burton quartet when Metheny served time with the group.
On drums, Mark Robertson drove and sympathised as the piece demanded whilst Clarke on Rickenbacker bass proved himself a worthy owner of such a legendary brand of lower ground floor merchandise.
A night much appreciated by the Splinter faithful although there were two or three regulars prominent by their absence. If they only knew what they'd missed...
Lance.

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