October.
Sun 25: Paul Edis workshop: Another Week, Another Composition - How I Compose @ Mark Hillery Arts Centre, Collingwood College, Durham. 10:30am. £16.00. Durham Jazz Festival. CANCELLED!
Sun 25: Jo Harrop workshop: From Chester-le-Street to LA: A Singer’s Journey @ Claypath Deli, Durham. 11:00am. £8.50. Durham Jazz Festival. CANCELLED!
Sun 25: Janette Mason workshop: The Art of Arranging @ Mark Hillery Arts Centre, Collingwood College, Durham. 12:30pm. £16.00. Durham Jazz Festival.
Sun 25: Dean Stockdale Quartet: Celebrating Oscar Peterson @ Durham University Music School. 1:00pm. Line-up: Dean Stockdale (piano); Jamie Taylor (guitar); Gavin Barras (double bass); Gaz Hughes (drums). Durham Jazz Festival. SOLD OUT!
Sun 25: Tom Atkinson’s Electric Miles: Celebrating Jack Johnson @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 2:00-3:15pm. Durham Jazz Festival.
Sun 25: SULA @ St Chad’s College, Durham. 2:30pm. Kezia Abouma (piano), Aleks Dimitrova (bass), Miranda Radford (drums). Durham Jazz Festival. NOTE NEW TIME (2.30pm).CANCELLED!
Sun 25: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 25: Swing into Sunday @ St Oswald’s Institute, Durham. 2:30pm. Lindy Jazz. Durham Jazz Festival.
Sun 25: Sara Oschlag w. Arnie Somogyi Trio @ Queen’s Hall, Hexham. 3:00pm. Sara Oschlag (vocals); Richard Wetherall (keyboards); Arnie Somogyi (double bass); John Hirst (drums).
Sun 25: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 25: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. Ruth Lambert (vocals); Alan Law (keyboards); Paul Grainger (double bass). RESCHEDULED to NOV. 1
Sun 25: Marvin Muoneké Quartet @ St Chad’s College, Durham. 4:00pm. Line-up: Dean Stockdale (piano); TBC (double bass); Abbie Finn (drums). Durham Jazz Festival. SOLD OUT!
Sun 25: Janette Mason Rewired @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 4:30pm. Line-up: Janette Mason (piano); Jakub Cywiński (double bass); Eric Ford (drums). Durham Jazz Festival.
Sun 25: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Launderette, Durham. 5:00pm. Durham Jazz Festival. SOLD OUT!
Sun 25: Zoë Gilby & Andy Champion @ Redhills Durham Miners’ Hall, Durham. 6:00pm. Durham Jazz Festival.
Sun 25: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.
Sun 25: Sara Oschlag w. Arnie Somogyi Trio @ The Globe, Newcastle. 8:00pm. Sara Oschlag (vocals); Richard Wetherall (piano); Arnie Somogyi (double bass); John Hirst (drums).
Sun 25: Durham University Jazz Society - Jazz Jam @ Fabio’s Bar, Durham. 8:00pm. Durham Jazz Festival.
Sun 25: Olivia Cuttill Quintet + King Pleasure & the Biscuit Boys @ Redhills Durham Miners’ Hall, Durham. 8:00pm. Durham Jazz Festival.
Mon 26: Sue Ferris Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 26: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 27: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest Ruth Lambert.
Tue 27: Eva Fox & the Sound Hounds @ Newcastle Arts Centre. 7:30pm. Free (donations).
Wed 28: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 29: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 29: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 29: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 29: Simon Taylor Band @ Newcastle Arts Centre. 7:30pm. £8.00.
Thu 29: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb Chicago blues band.
Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).
3 comments :
Sad to hear this. He was one of the greats. Some pals saw him at the Wales Guitar Fest a few years back and said he was amazing and a perfect gentleman too, and very humble. His vertically stacked, close voiced chords were a trademark of his and something new at the time. They are very difficult to finger (big hands help) and in that respect he pushed the existing boundaries of jazz guitar playing. He had immaculate technique. Also he played a key role in guitar development and design both with Gibson and Guild. A truly nice guy who became a legendary figure and a member of jazz guitar royalty.
Roly
Although I never met Johnny Smith – I did have had mail contact with him over the years and found him to be a perfect gentleman. He was always totally modest about his enormous talent and about the extent of his influence on so many other guitarists.
I first heard his distinctive lush chording and crystal clear single-note soloing on the historic 1952 recording of ‘Moonlight in Vermont’.. This recording, with Stan Getz, gained great popularity even outside the regular jazz audience – and enjoyed very large sales. I soon began collecting every available Johnny Smith recording – and I still have and enjoy them all to this day.
Many people do not know that although the guitar was his first instrument, Johnny Smith began his professional career in the late 1940's as a trumpeter with the New York Philharmonic. However once Johnny’s mastery of the guitar in his inimitable and unique style was recognised he became staff guitarist with the NBC in the 1950s.
All the great jazz guitarists I have known have always spoken of their great admiration of Johnny both as a person and as one of the most influential jazz guitarists of all times.
Maurice Summerfield
Lance - you are the bearer of the bad news. As you know Johnny Smith was a major influence in my style of chordal playing. I also have everything he ever recorded. I had some fascinating conversations with him at a guitar seminar in Wrexham when he recalled some of his memories of recording with Jerri Southern and Ruth Price among others. He was a true gentleman who in recent years enjoyed game fishing in the gulf of California.
He was totally surprised by the reception he received from the guitarists at the seminar. I went to the seminar simply so I could meet him and a great moment for me was to have my photograph taken with the great man which was published in the Just Jazz Guitar magazine.
Post a Comment