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Bebop Spoken There

Mark Walker: "A drummer in a big band is always happy. It's like driving a big bus." - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Wednesday July 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, June 03, 2013

CD Review: Caecilie Norby: Silent Ways

Caecilie Norby (vocal); Lars Danielsson (cello, bass, acoustic guitars, tambourine); Leszek Mozdzer (piano); Nguyen Le (electric guitars, electronics); Robert Mehmet Ikiz (drums, percussion); also Marius Neset (tenor and soprano sax)
(Review by Ann Alex)
This is a totally enjoyable CD, but it mostly doesn't have that certain feel of ‘jazz’ (I'm open to contradiction from anyone else who hears it), except for some jazz influence on 3 of the tracks. 
Danish Ms Norby sang in the classical music world until she was aged 14, when one day she heard Creedence Clearwater Revival at a school party, which changed her musical perspective.  Nowadays,  she prefers not to have much regard for musical genres.  
For this CD, she picked out 11 of her favourite singer-songwriter melodies, plus a self-composed number, and, the insert says, played them with jazz and classical influences.  The band improvises, the voice has a wide range, and is beautifully expressive, yet the overall effect comes across to me as heavy rock, and reminded me of the supergroups of the 1970’s such as Genesis or Yes.  Perhaps it is the double tracking, lots of use of electronics, and an occasional ‘wall of sound’ effect, I don't know.
Anyway, the songs are well chosen, including Leonard Cohen’s Winter Lady; and In My Secret Life; Tom Waits’ Diamonds And Gold; (good strong rhythmic percussion); Papa Was A Rolling Stone (jazzy piano and eastern type guitar) Dylan’s Like A Rolling Stone (a fascinating Caribbean arrangement); a wonderfully modulated voice on Silent Ways.  Other tracks are Stepping Stone; Hurt; Hearts and Bones; Have You Ever Seen The Rain; Black Hole Sun; and the self composed Hymnen.  
Released on 3rd June 2013 by ACT Music
Ann Alex


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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance