Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, June 03, 2013

Newcastle Community Green Festival; Leazes Park; Sunday June 2

Hannabiell And Midnight Blue
(Review by Ann Alex).
Leazes Park became a mass of people, lots of swirling colourful clothes, Chinese, Italian, Turkish food for sale, holistic healing therapies available, juggling, hula hoops, acrobatics, face-painted children everywhere, and of course lots of publicity for green issues.
On to the stage stepped the band, tension gradually building during the setting up, drums, repeated word riffs, a few whistles, then a drumming call to arms and we’re off, people dancing from the start.  Long pieces, tempo accelerating, volume approaching a climax then, more gently, quietly coming to an end.  You’ll hear sax, bass trombone - sounding wonderfully obscene - pounding drums, guitar, a cheeky whistle to get your attention, powerful riffs, ‘free yourself to my rhythm’ shouts Hannabiell over and over again, and the dancers obey. I notice a child sitting on her mother’s shoulders, drumming the rhythm out on her head.  Poor Mum!  A great session, seriously elemental rhythms.
Baghdaddies come on with a very different rhythm, now we are in the East with sensuous twisty Arabic sounds with a comic touch, and the audience catches on immediately, arms are raised, waved about, twisting hands, and I put down my reviewer’s notepad, can’t resist joining in, so the rest is from memory.  They start with a fun eastern waltz with foreign words which may be a real Eastern language, or not.  They continue with a version of Keep Your Feet Still Geordie Hinny  and then comes Have A Tequila to the tune of Hava Nagila .And there’s the added attraction of a lady (Monica Gracia) in black and red with sequins doing wonderful belly dancing, vibrating and shaking hips.  This is the stuff of harems, where women used to entertain each other with such dancing, which is reckoned to be good exercise in preparation for childbirth.  You learn something all the time from this blog!  Guitars, trumpet, alto sax (Paul Ruddick also played with Hannabiell and a third band that we missed. Three gigs in one day!), congas and drums all manage to fit in effective solos among the fun and dancing and the two encores are well deserved.  They end with Show Me The Way To Go Home, so we have to do so, but what a great afternoon of music, food and fun.
Photos.
Ann Alex

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