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Bebop Spoken There

Noah Preminger: "The U.S.A - the greatest country in the world - didn't lift a finger to help their 3ooo-plus citizens in Morocco. We were abandoned by our own government." - (DownBeat June 2020).

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, June 09, 2013

Legohead @ The Bridge Hotel, Newcastle..

Lloyd Wright (gtr); Jon Proud (bs); David Francis (dms).
(Review by Lance.)
What can one say? This is the jazz version of Cream or maybe Forty Years After. Whatever, the triumvirate take jazz rock to an exalted level.
Lloyd is the spiritual descendent of the Tyneside jazz dynasty that weaves its way from Charlie Smith via Roly Veitch,  John Hedley, Terry Ellis, James Birkett, Rod Sinclair, Mark Williams to Lloyd and (in a different direction) Bradley Johnston.
I wasn't the only one who recognised Lloyd's credentials - the gig was well attended - and the boy didn't disappoint giving the crowd an inspired set. There was more pedals on stage than in the Tour de France but they were used sparingly yet effectively.
Original material, although some we'd heard before and some we hadn't, allowed the young guitarist  to display his awesome technique as well as his occasional tender moments.
On bass, Jon Proud too had his moments. A less flamboyant player than Wright he, nevertheless, did what was needed and soloed impressively. David Francis has been round the kit a few times and his breaks and fills showed the hands and feet of experience.
It was a good set with ne'er a sheet of music on the stand.
That I missed the second set was no reflection on the band.
Lance.
.

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