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Bebop Spoken There

Belá Fleck: "...he [Chick Corea] brought out the best in musicians. Not only would you get to play with him, but you'd get to play with the best version of yourself." - (DownBeat April 2021).

Archive quotes.

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,073 (and counting) posts since we started blogging 13 years ago. 492 of them this year alone and, so far, 47 this month (April 9).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Thursday, June 13, 2013

Gwyneth Herbert - The Sea Cabinet - @ Sage Gateshead June 12.

Gwyneth Herbert (vcl, pno, uke, various perc inst), Fiona Bevan (vcl, pno, uke, gtr, vln, various perc inst); Al Cherry (gtr); Sam Burgess (bs); David Price (dms, vln, glock, various inst); Burnside College Choir, Wallsend) (Pirates Chorus).
(Review by Lance).
A short, but well received opening set by Bevan (right) culminated with the curly permed singer / songwriter / guitarist being joined by Herbert for a brief taste of the main event.
I use the word main advisedly as The Sea Cabinet was indeed a suite/story, with words and music by Gwyneth Herbert, based on people, places and sea related artefacts.
Too complex to detail here - see concert preview and Gwyneth Herbert interview - it was almost a mini-folk opera with moments of humour, drama and pathos.
Both women have distinctive voices - at one point Herbert sat at the stage edge and sang unmiked. The voice was as clear as a bell, possibly a ships bell. Bevan too was pitch perfect particularly on the wordless passages. Between them they played a multitude of instruments as did percussionist Price. Cherry alternated between acoustic and electric guitar whilst Burgess excelled in adding the depth (50 fathoms perhaps?) with or without the bow..
The choir from Burnside College provided an effective "Pirates Chorus".
It was a non-stop performance that had me entranced from start to finish but...
I was fortunate having read the press notes, interviewed Herbert and heard some tracks from the CD in advance.
For those in the audience who hadn't done their homework this was possibly a challenge and maybe some program notes or a few explanatory words between pieces would have helped as I felt that some of the more humorous lines went over the audience's head.
Nevertheless, it was a rewarding experience and if the jazz content was minimal that didn't detract from the overall musicality of the evening.
Across in Hall One Elvis Costello may have had more bums on seats but I'm quite sure these two girls more than matched the quality.
Lance.

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