(Review by Lance)
Swedish jazz funk. The concept is, telling the dark tale of a fictitious sci-fi city oozing with criminality, suspenseful action, drizzling rain and surreal inhabitants - sci-fi? sounds like Newcastle to me!
The solos are good and the rhythms infectious. A sort of jazzified Saturday Night Fever but with subtlety (here and there.)
Woman in Neon has a nice 3/4 theme although a heavenly choir edges it towards the Smooth Jazz genre. 125th Street and 7th Avenue brings us back to funkdom with Thunstrom's well constructed tenor blast and Lantz's punchy organ sound. Lantz has City Lights more or less to himself and the explorative acoustic piano solo is the moment to take off your dancing shoes and relax in some secluded alcove with the guy/girl you're making out with on the dance floor. Mastermind is Miles as heard through the ears of Olandersson with more impressive tenor from Thunstrom. These Swedish jazzmen had it back in the 50's and I guess the new generation still have - the original mastermind, Lars Gullin, would be proud of them. Thunstrom's Great Escape has us racing through the streets - perhaps her husband has turned up or maybe the gelignite didn't blow the safe! Moon Town is a good old rocker. Impressions turns the Coltrane classic into a slow funk. Sacrilege? They've done much worse to Tschaikovsky over the years! I like it. The finale, Driver's Seat, brings the angelic voices back but Olandersson sends them packing with a fiery burst that tells them that he is in the driver's seat! They return, however, for the home straight and it helps round off an album I intended to dismiss in a couple of paragraphs but became more and more hooked
This isn't a CD to sit down and listen to too intently. It's a one to appreciate with your body. A disc to do the Turkey Trot to - or should that read the Funky Chicken? - or whatever fowl things they got up to in 70's discos.
Beat Funktion - Moon Town hit the streets on May 21.
Lance.
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