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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 01, 2012

The 6 and 2 Threes Sextet @ The Sage. August 31


(Review by Russell)
The last in the summer series of gigs on the concourse featured a band of student musicians led by the impressive pianist James Harrison. Originally billed as the Henchmen Sextet, on arrival the poster at the door said 6 and 2 Three’s Sextet (sic). Was this the same band with a sudden change of name? 
The acoustics in the cavernous space don’t help musicians at the best of times and on this occasion, despite the assistance of a sound engineer, the sound balance was poor and PA announcements left an awful lot to be desired. 

My review lacks a line-up due to inaudible mutterings on (and off) mic. A suggestion - speak clearly, directly to the audience. The tenor player should have been on a mic – stand still and play the music (when you get to Sonny Rollins’ standard feel free to wander round with a clip mic). The guitarist sounded promising – difficult to hear first set, better second set. 
The vocalist did her best – a tad under rehearsed I’d suggest. Bass and drums had their moments. The tunes were good ones – Almost Like Being in Love, Blue Skies, Georgia, Cantaloupe Island, Tenderly, Tenor Madness and many others. 
Any musician who gets up to perform in front of the public has my total respect. Stage fright must be a terrible thing to deal with but…but. The Sage Gateshead wow! One of the most prestigious venues in the country…seize the opportunity and do yourself justice.
Russell

2 comments :

Anonymous said...

As a friend to many members of the night's band I can safely tell you they are NOT the henchmen jazz sextet. I also called them on a number of the topics you raised here and after speaking to them the lack of audibility, particularly for the saxophone player and announcements was down solely to the sound guys as they had apparently said not to use a clip on mic (or indeed any form of mic)

Anonymous said...

(continued) Also, as a musician myself, I believe it is disheartening to read a review that blames the band themselves for what was clearly a bad call on the sound engineer's part. I have worked at the sage in performances on numerous occasions but let me tell you the sound engineering standards in ability and personality have been par at best - and that's being generous. Could you not also talk about the technical ability of the musicians rather than getting hung up on what was not their fault? How were the solos? How did the band work together and react off each other? What did the crowd thing of it all? Are these not the most important questions?! A rather damning review for an up an coming group of musicians / students don't you think? Great boost to confidence and self esteem. Hmm you know what, I think I'm going to go have a talk with them and blame them for global warming or the global recession...hell why not!?

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance