Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18445 (and counting) posts since we started blogging 18 years ago. 309 of them this year alone and, so far this month (April 20 ) 43,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Thu 23: FILM: Big Mama Thornton: I Can’t Be Anyone But Me @ Tyneside Cinema, Newcastle. 6:15pm. Dir. Robert Clem (2025).
Thu 23: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 23: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 23: Jeremy McMurray’s Pocket Jazz Orchestra & Musicians Unlimited @ ARC, Stockton. 8:00pm. £19.00. inc. bf.

Fri 24: Noel Dennis Trio @ The Gala, Durham. 1:00pm. Dennis, Mark Willams, Andy Champion. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Trio Grand @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 24: Ben Vince + The Exu @ Cobalt Studios, Newcastle. 7:00pm (doors). £14.33., £11.16, £8.00. A ‘jazz adjacent’ gig!
Fri 24: Daniel John Martin w. Swing Manouche @ The Ship Isis, Sunderland. 7:30pm. £13.20 (inc. bf).
Fri 24: TBC @ The Traveller’s Rest, Darlington. 8:00pm.

Sat 25: Giles Strong Quartet @ Hindmarsh Hall, Alnmouth. 7:30pm. CANCELLED!
Sat 25: Daniel John Martin w. Swing Manouche @ The Old Cinema Launderette, Durham. 7:30pm (7:00pm doors). £13.20 (inc. bf).
Sat 25: ‘Portrait in Evans’: Noa Levy & Alan Barnes w. Paul Edis Trio @ The Glasshouse, Gateshead. 8:00pm. £24.00. Sage Two. ‘Portrait in Evans’. Levy, Barnes, Edis, Andy Champion & Steve Hanley.

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: Daniel John Martin w. Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 26: Ni Maxine + Nauta @ Cobalt Studios, Newcastle. 7:00pm. £17.51., £14.33., £11.16.
Sun 26: Joe Steels @ The Pele, Corbridge. 7:00pm. Free (donations direct to the musicians). Joe Steels & Friends.
Sun 26: C.A.L.I.E @ The Globe, Newcastle. 8:00pm. £16.00., £14.00., £7.00.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 27: House of Blues @ the Globe, Newcastle. 7:00pm. £7.00., £5.00. advance. A student-led jazz session. ‘House of Blues’ is, perhaps, a misnomer.
Mon 27: Littlewood Trio @ Cluny 2, Newcastle. 7:30pm (doors). £10.00 + bf, £7.00. + bf.

Tue 28: Long/Remon/Zilker @ The Black Swan, Newcastle. 7:30pm. Free. Tom Remon plays Irish folk!

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Long/Remon/Zilker @ The Ship Isis, Sunderland. 7:00pm. £10.00. + £1.00. bf. Tom Remon plays Irish folk!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Hackney Colliery Band @ Alnwick Playhouse. 7:30pm. £25.00.

Saturday, September 01, 2012

The 6 and 2 Threes Sextet @ The Sage. August 31


(Review by Russell)
The last in the summer series of gigs on the concourse featured a band of student musicians led by the impressive pianist James Harrison. Originally billed as the Henchmen Sextet, on arrival the poster at the door said 6 and 2 Three’s Sextet (sic). Was this the same band with a sudden change of name? 
The acoustics in the cavernous space don’t help musicians at the best of times and on this occasion, despite the assistance of a sound engineer, the sound balance was poor and PA announcements left an awful lot to be desired. 

My review lacks a line-up due to inaudible mutterings on (and off) mic. A suggestion - speak clearly, directly to the audience. The tenor player should have been on a mic – stand still and play the music (when you get to Sonny Rollins’ standard feel free to wander round with a clip mic). The guitarist sounded promising – difficult to hear first set, better second set. 
The vocalist did her best – a tad under rehearsed I’d suggest. Bass and drums had their moments. The tunes were good ones – Almost Like Being in Love, Blue Skies, Georgia, Cantaloupe Island, Tenderly, Tenor Madness and many others. 
Any musician who gets up to perform in front of the public has my total respect. Stage fright must be a terrible thing to deal with but…but. The Sage Gateshead wow! One of the most prestigious venues in the country…seize the opportunity and do yourself justice.
Russell
at

2 comments :

Anonymous said...

As a friend to many members of the night's band I can safely tell you they are NOT the henchmen jazz sextet. I also called them on a number of the topics you raised here and after speaking to them the lack of audibility, particularly for the saxophone player and announcements was down solely to the sound guys as they had apparently said not to use a clip on mic (or indeed any form of mic)

Sunday, September 02, 2012 11:08:00 am
Anonymous said...

(continued) Also, as a musician myself, I believe it is disheartening to read a review that blames the band themselves for what was clearly a bad call on the sound engineer's part. I have worked at the sage in performances on numerous occasions but let me tell you the sound engineering standards in ability and personality have been par at best - and that's being generous. Could you not also talk about the technical ability of the musicians rather than getting hung up on what was not their fault? How were the solos? How did the band work together and react off each other? What did the crowd thing of it all? Are these not the most important questions?! A rather damning review for an up an coming group of musicians / students don't you think? Great boost to confidence and self esteem. Hmm you know what, I think I'm going to go have a talk with them and blame them for global warming or the global recession...hell why not!?

Sunday, September 02, 2012 11:23:00 am

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