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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 05, 2012

CD Review – Kurt Elling 1619 Broadway, The Brill Building Project.

Kurt Elling (vocal); Probably Laurence Hobgood (Keys/Arranger); ? (Sax); Ulysses Owen Jnr. (Drums); John McLean (Electric Guitar); Clark Sommer (Bass).
(Review by Ann Alex).
This CD, release date 1st October 2012, features (I quote) renditions of classic songs that came out of the Brill Building (Manhattan), from an array of renowned songwriters including Burt Bacharach, Paul Simon, Jerry Leiber and Mike Stoller, and Carole King. Indeed, it was in the Brill Building that Bacharach met the lyricist Hal David who passed away last week. A House is Not a Home was one of the many hits the duo wrote and it is sung in Elling’s distinctive style.

Details of the musicians are not given in the Promo CD insert, so I’m taking an educated guess on the above listing, but they do a good job, whoever they are, working on eleven fine songs, such as On Broadway; I Only Have Eyes For You; and Paul Simon’s warts-and-all hymn to America,  American Tune.  The project deliberately avoided including songs by those composers who usually appear on jazz albums, such as Gershwin or Cole Porter.
The opening track, On Broadway, with its theatrical spoken introduction, has effective bass and drums (the drums predominate throughout) with a cool-sounding electric guitar solo.  Other tracks show the keys to good effect, rippling and weaving on You Send Me, or sensitively accompanying the voice on American Tune.  Sax and bass solos do their stuff well and on the last track, Tootie for Cootie, the musicians produce something of a ‘big band feel’, which contrasts nicely with the lonely ‘New York’ feel of earlier tracks.
But I have to confess that I have problems listening to Elling.  Whilst his song interpretations really are innovative, I feel that he has moved somewhat too far away from the original tune.  He didn’t sing the ‘straight’ melody to many of the songs at all.  One can argue that jazz is all about improvisation, but the listener needs to hear what is being improvised upon to some extent, so that there is a reference point.  Others may find that Elling’s style of improvisation is more to their taste, but I found his style vaguely irritating. I much preferred him when he adopted a more straightforward style such as he used for American Tune, or when doing the swingy version of I’m Satisfied.
This is a CD which, whilst it gave me a mixed musical experience, will no doubt be seized upon by his legions of fans and probably gain him a tenth Grammy nomination – so what do I know?.
Ann Alex   
Kurt Elling: 1619 Broadway, The Brill Building Project -  Released Oct. 1.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance