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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: King Bees @ Louie's Liquor Store, Bigg Market, Newcastle. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Sunday, September 16, 2012

CD Review: Present Day The Original Unit

Stefan Walcott  (piano & keyboards), Neil Newton (double bass & electric bass) & David Carnegie (drums) 
(Review by Russell).
A jazz trio from Barbados. I can’t claim familiarity with the jazz scene on the island of Barbados but I do know the work of drummer David Carnegie. A few years ago on City Road in Newcastle, Dave Weisser’s Take it to the Bridge session was in full swing at the now demolished Egypt Cottage public house when in walked David Carnegie. He sat in. After a couple of bars I looked across the room to Weisser…a smile, a nod. Another great musician had announced his arrival on Tyneside (I guess this sort of occasion makes it all worth while for Weisser). Gig goers came to know David as a gentle, humble man who made a considerable impact on the music scene during his time in England
Circumstances decreed that he return to his homeland of Barbados

DC has been busy. One project has been the recording of a new CD. 
Present Day is a ten track recording by the Original Unit (described in the liner notes as a ‘Barbadian jazz trio’). All three musicians have contributed tunes to the CD; two from pianist Stefan Walcott, one from bassist Neil Newton and four from Carnegie. The mid-tempo opener – Sunshine Roxy – comes from the pen of Walcott and is described as a ‘calypso jazz work’ with excellent piano from the composer, a warm tone from Neil Newton on double bass and Carnegie typically contributes subtle light and shade. Present Day (Carnegie) was inspired by the composer meeting and hearing Gwilym Simcock in the UK (David – the brilliant Simcock performs at the Sage in October!). Post Modern Revisionist Soul (Carnegie acknowledges the somewhat pretentious title!) is, to quote the composer a ‘(much loved) neo-soul jam’. 
Repeated listenings have made this a much loved track for this reviewer. Taken at walking pace, Walcott develops the melody, electric bass and drums get into the laid-back groove bringing to mind the best of the Jazz Crusaders. Voice in My Head (comp.E.Yearwood), one of two tunes not written by the trio, is most lyrical, as are other tracks, suggesting words could well be written for some pieces. The other non-original piece is Monk’s Well You Needn’t (most recently heard live by this reviewer at Weisser’s night at the Chillingham with drummer Paul Wight swinging it mightily) featuring superb playing from all three musicians – effortless swing from Walcott, spot-on double bass playing from Newton and Carnegie’s work recalls his many great performances in the north east of England. Is there a reference to Tito Puente in there? A hint of Oye Como Va perhaps. Walcott’s Kensington New Road is intended to sonically portray the Muslim Asian community in Bridgetown. In the future the composer hopes to incorporate the tune into a Bridgetown Suite to celebrate the ancient city. The pianist’s playing is certainly most impassioned on this track. Newton’s Sounds Like a Love Song to Me sounds like a classic jazz ballad according to the composer. It is exactly that. Carnegie’s Post Modern Revisionist Soul (Reimagined) features dazzling piano, a great bass line and crisp percussion throughout. Bassist Newton’s Untied closes the set with Walcott’s piano drawing on twentieth century classical music; tentative, explorative sketches underpinned by the distant pulse of Newton’s electric bass.
 Present Day was recorded at Canefield Studio, Barbados on February 23, 2012. The Original Unit on tour in the UK sounds good to me. Let’s hope it happens. 
Check out www.originalunit.com (ready soon).
Russell                           

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