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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: East Coast Swing Band @ Morpeth Rugby Club. 7:30pm. £9.00. (£8.00 concs).
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free. ‘Opus de Funk’ (a tribute to Horace Silver).

Tue 30: Celebrate with Newcastle Jazz Co-op. 5:30-7:00pm. Free.
Tue 30: Swing Manouche @ Newcastle House Hotel, Rothbury. 7:30pm. A Coquetdale Jazz event.
Tue 30: Clark Tracey Quintet @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.

May

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, September 25, 2012

Paul Edis’ Improvisation & Ear Training Workshop @ The Lit & Phil. September 24

(Review by Russell).
Stormy Weather felled Autumn Leaves. Hatches battened, this was Key Largo writ large but Gumshoe Bebop was determined to spend some shoe leather in pursuit of Improvisational Enlightenment.
In Toon, t-shirts and mini skirts defied stair rods, seeking shelter in the next nearest gin joint, then the next. Up ahead, on the corner of Collingwood and Westgate, the Lit & Phil’s lamplight looked so inviting (in the Gallery of Imaginary Bebop Art there is a little known Edward Hopper streetscape depicting the façade of this inner-city seat of learning and self-improvement. If you haven’t seen it, it’s the one with oddball characters entering and exiting the building: the steam train buff, the U3A student, the über-cool chanteuse).
Inside, a coffee pot struck up conversation with life-long friends and made new acquaintance. Pianist and educator Paul Edis chatted with the keen and the curious and the drenched ahead of his Improvisation & Ear Training workshop. Dr Edis had prepared well. Laptop, notes, hand-outs – all were at hand. A piano made for the elephant in the room. The workshop didn’t start on time. Or maybe it did. It depends who counts it in. Edis did (he is a jazz musician).
Improvisers, would-be improvisers and the curious (Gumshoe Bebop) assembled in numbers many a promoter would be delighted to see at a gig - classical musicians (there were admissions of bafflement about the Misterioso world of improvisation), folkies and rockers. The jazz scene was represented – Debra and Gabi, Mike and Ruairidh. Edis said he would like to begin by talking about intervals. Gumshoe Bebop thought to himself: We’ve only just started. Much talk of extensions and triads, flattened fifths. Edis said: Improvisation is making decisions. Gumshoe Bebop decided to listen, listen hard.
Dr Edis sat at the piano. He demonstrated the ascending melodic minor. The assembled hummed in unison. Gumshoe Bebop took notes. The Lydian scale, quarter notes, semi tones. His head began to hurt – it felt like he’d fallen over a Down Beat paving stone and had an argument with terra firma. Regaining his senses he heard a familiar sound..So What brought him round.
The interval – the kind understood by Gumshoe Bebop – offered the welcome prospect of a refill and a chat. The assembled assumed Gumshoe Bebop played an instrument. He found this amusing. Dr Edis resumed his deliberations. More talk of modes and scales. More notes. More music from Edis, Miles and Trane. In no time it was over. Time to step out into the night. Gumshoe Bebop decided to aquaplane home. Riding the rapids at Gallowgate, deep in thought, a discarded, shredded umbrella almost brought him down as he was preoccupied with the thought that perhaps he should take up the challenge and
buy a banjo.
The Paul Edis Trio can be heard on Thursday night (27 September) playing the music of Bill Evans at the Queen’s Hall in Hexham. The second installment of Dr Edis’ workshop series continues at the Lit & Phil on Monday 8 October. The confirmed starting time is 7:15 pm for 7:30 pm. It is free to attend. Seek it out and you may find Improvisational Enlightenment.
Russell (AKA Gunshoe Bebop).     

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