For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
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March
Thu 05: Trumpet quartet @ King’s Hall, Newcastle University. 1:15pm. Free. Quartet inc. Dick Stacey (SSBB). Programme inc. Basie’s Panassié Stomp + Joshua Fought the Battle of Jericho.
Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Celebrate - Commonwealth Day.
Thu 05: Flo/ra + Maya Kally @ Cobalt Studios, Newcastle. 7:00pm (doors). £16.45., £13.28.,
£12.22., £9:04.
Thu 05: Salty Dog @ @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Fri 06: EXHIBITION: Images of Jazz @ Queen’s Hall, Hexham. Visual artist Dave Barden exhibiting works in Gallery Two (10:00am-4:00pm Mon to Sat, closing May 30).
Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Northern Monkey Brass Band @ Market Place, Blyth NE24 1BQ. 5:00pm, 6:00pm & 7:30pm. Free. A ‘Festival of Energy’ event.
Fri 06: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 06: Brass Funkeys + support @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Fri 06: Vintage Explosion @ Whitley Bay Playhouse. 7:30pm. SOLD OUT!
Fri 06: Flat Moon + Spilt Milk @ Pilgrim, Newcastle. 7:30pm (doors). £10.00.
Fri 06: Giles Strong Quartet @ Old Cinema Launderette, Durham. 7:45pm (7:00pm doors). £16.50.
Fri 06: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 8:00pm. Musicians Unlimited (in concert). £10.00. (£20.00 weekend ticket). Day 1/3.
Sat 07: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 12 noon. Open Section (all day, closing concert performance at 7:00pm). £15.00. (£20.00 weekend ticket). Day 2/3.
Sat 07: Tenement Jazz Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Antônio Carlos Jobim: Meditation & How Insensitive. Enrol at: learning@jazz.coop.
Sat 07: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 07: Hot Club du Nord @ St Mary’s Parish Hall, Barnard Castle. 7:00pm. £20.00., £8.00 under 16. Charity fundraiser.
Sat 07: Taupe + Marigolds + Mother Man @ Star & Shadow Cinema, Newcastle. 7:00pm.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sun 08: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 9:30am. School Section & Youth Section (all day). £10.00. (£20.00 weekend ticket). Day 3/3.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: TRIO-SKW @ Queen’s Hall, Hexham. 3:00pm. Josh Savage (drums); Lucas Kelly (organ); Tim ‘Bim’ Williams (guitar).
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Trish Clowes’ My Iris @ The Globe, Newcastle. 8:00pm.
Sun 08: Durham University Big Band & Foot Notes @ Elvet Methodist Church, Durham. 7:30pm. £10.00., £8.00., £6.00. Big band & a cappella ensemble.
Mon 09: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.
Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free
Reviewers wanted
Sunday, September 16, 2012
Blog Archive
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2012
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September
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69
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- Scarborough Jazz Festival September 28 - Evening.
- A Tribute to Bill Evans and Scott La Faro - Scarbo...
- Paul Edis Trio: The Music of Bill Evans @ Queen’s ...
- Redemption Jazz @ Hoochie Coochie. Friday Sept. 27.
- FIRING THE FURNACE Adventures in Sound
- The Gershwins and me by Michael Feinstein
- Ken Vandermark Trio @ The Cluny. 25 September
- RIP Billy Barnes
- Book Review: Road Rat's Tips. The musician's guide...
- Seven Jazz.
- Paul Edis’ Improvisation & Ear Training Workshop ...
- Soothing the Savaged Breast
- Corner House Cancelled Tonight.
- Krzysztof Urbanski @ The Bridge
- CD Review:Torben Waldorff -: Wah-Wah
- CD Review: Dan Block - Duality.
- Taco Bells & others @ Morden Tower. September 21
- Take it to the Bridge @ The Chillingham. September 19
- Young Collective Jam @ Hoochie. Thursday Sept. 20
- Memorabilia
- Fighting to Keep Jazz Alive
- Jazz At The Wool Club
- The All Star Big Band & Orchestra.
- Blaydon News.
- ROLLER TRIO Nominated for MOBO award and named a 2...
- Darlington Jazz Club Looking Good!
- Zoe Gilby Quartet @ The Bridge
- CD Review: Present Day The Original Unit
- Alan Silva (synthesizer) & Roger Turner (drums) @ ...
- Science Proves That Pop Music Has Actually Got Worse.
- The Wild Flower Sextet
- Identity Parade.
- VOTNJO Concert on YouTube.
- The Girls In The Band - Official Trailer
- CD Review: Preservation Hall Jazz Band - St. Peter...
- The Blaydon Aces @ St Mary’s Heritage Centre. Sept...
- Budtones @ Hoochie.
- Humble Request.
- Ear Training and Improvisation @ The Lit and Phil.
- All You Jazz Singers Out There – Be Prepared For A...
- CD Review: Yaron Herman - Alter Ego.
- Mike Durham Mailshot
- Wylam Songbook Course Fully Booked
- Jazz Jam Sessions: A First-Timer's Guide.
- Radio York Preview Scarborough Jazz Festival
- Someone - Sarah Ellen Hughes Big Band
- The Voice of the North Jazz Orchestra @ The Sage, ...
- Lindsay Hannon Plus @ Ashington Jazz Club. Wednesd...
- Tonight at The Sage Gateshead - Not to be missed!
- A Cast Of Thousands – Ruth Lambert’s Buskers Night...
- Vote in the 26th British Jazz Awards.
- CD Review: Allison Neale - Melody Express.
- Pete Gilligan's Jam Session @ Hoochie Coochie. Thu...
- CD Review - Vitor Pereira Quintet: Doors.
- Grecian God of Tenor @ Blaydon - Vasilis Xenopoul...
- Search for best unsigned blues musicians goes nati...
- Mrs Biggs
- CD Review – Kurt Elling 1619 Broadway, The Brill B...
- This is simply "Amazon"
- Sassafrazz @ The Cherry Tree.
- Ian Forbes breaks wrist in car accident.
- CD Review: John Surman – Saltash Bells (ECM 279 8108)
- Farewell Maggie Ross
- CD Review: Arild Andersen / Tommy Smith and The Sc...
- New Century Ragtime Orchestra @ The Dolphin Centre...
- FRED HERSCH - SOLO PIANO UK TOUR
- Prom 59 - The Broadway sound.
- CD Review - Graham Dechter: Takin' it There.
- The 6 and 2 Threes Sextet @ The Sage. August 31
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September
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3 comments :
I'm surprised no others have commented. It depends on what you mean by 'Pop music'. If you refer to 'light' pop in the charts, it appears worse because the rubbish hasn't had a chance to be filtered out and forgotten, which happens over time. If you mean any rock etc. it can't be true, think of wonderful stuff such as Dylan, progressive rock, punk, Joni Mitchell etc, some of which jazzers are singing now. Anyway I don't think science can prove this sort of thing. It's the sons and daughters of jazz musicians who are composing some of the popular music now.
I think artists such as Dylan, Mitchell hardly qualify as examples. In their most creative days they were still quite near the top of the downward road to musical perdition. As regards Punk it horrifies me that time has given it an aura of respectability and acceptance just as I'm sure it horrifies the original punks themselves.
I'll go along with science on this one.
Lance, I was hoping to start others commenting when I put my oar in about science and pop music, but it hasn't happened yet. I still don't think science can prove anything as it's about subjective taste and social conditions surrounding music as well. No doubt the scientists wouldn't like minimilist music either, as they wouldn't understand what the composer was trying to do.
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