Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Monday, March 05, 2012

CD Review: Robert Glasper Experiment - Black Radio

Robert Glasper (Pno/Rhodes), Casey Benjamin (Sax/Fl/Vocoder), Derrick Hodge (Bs), Chris Dave (Dms) + Special Guests.
After seeing him live with his trio at the Gateshead International Jazz Festival in 2008, I wanted to head back to the shed and practice even harder to get to those level of chops and flexibility to adapt to any time. Nevertheless, I'm getting there!
Robert Glasper releases his definable energy time after time. This record is an opportunity to show the 'young' uns' that jazz is still hip, cool and modern. My first impression was that this is a pop record; collaborations with different vocalists and rappers with their own unique sound and message. Hip Hop is core to Glasper's life since attending the New School for Jazz & Contemporary Music (New York City) and subsequently becoming close friends with singer Bilal.
This record was pleasurable from start to finish. It never lost it's subtlety or groove. BLACK RADIO is about love, happiness and hope, not gangs and guns. Opening with an atmospheric 6/8 groove and sound effects reflecting the title of the album; consequently, giving one the impression they are listening to the radio. "All you need is your ears and your soul". I think this means 'sit back, relax and enjoy the show'. Glasper plays in the bacground, echoing Ahmad Jamal and Sam Rivers.
Strict hip hop beats dominate the album; tightly knit by Chris Daves - one of the most versatile and reputable musicians out there today. Derrick Hodge does a great job of giving the drums the kick it needs to make the beats perfect, and holding Glasper's stack of notes. The standout song for me was "Afro Blue", featuring Erykah Badu on vocals. Her distinctive voice sounds gentle but in no way is it fragile. I admired the flute closing Badu's sentences during the verse and Glasper's fills did not spoil Erykah delicacy, but in many ways supporting it. Another standout was Casey Benjamin's sax solo at the end of "Cherish The Day". It provided a contrast to the simple, diatonic melody of the song; double timing and chromatism. Finally, Glasper's rain of quintuplets during the chorus of "It's Gonna Be Alright" was heart fluttering!
Harley Johnson. 

at

No comments :

Post a Comment

Subscribe to: Post Comments ( Atom )

Blog Archive