Total Pageviews

Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 18, 2012

CD Review - Paul Edis Sextet: There Will Be Time

Paul Edis (pno); Graham Hardy (tpt/flug); Graeme Wilson (ten); Chris Hibbard (tmb); Mick Shoulder (bs); Adam Sinclair (dms).
The Paul Edis Sextet are one of the more popular bands on the Splinter Circuit and, on the evidence of this CD, justifiably so.
Twelve original tracks - ten by Paul two by Graeme Wilson - that really are original and, as I've said before, some of these compositions should be in every band's library alongside Joyspring and Take The A Train. In actual fact, Wilson's strangely titled Hey There You Hosers has a distinct Joyspring feel to it. (What is a Hoser?)
The opening track, Administrate This, a rolling funk groove sees Graham Hardy growling like an Ellingtonian. Hardy is in fine form throughout on both trumpet and flugel horn. Vamp, a melodic, probing theme displays his rich full sound on the latter instrument - smooth as a glass of buttermilk. I Wish I Was a Monk is a catchy theme that could easily become a song. Paul plays a piano intro into the tune before some superb tenor from Wilson who takes it apart returning it to the composer who hands it over to Adam Sinclair. The ensemble take it out. I'll be humming this tune all day!
Angular, one of the band's.most played live pieces puts Hibbard into the spotlight with some great slide-work  until Wilson once again takes control. There Will Be Time. The title track is a dreamy, richly textured score that has Edis and bassman Shoulder exploring the harmonic structure. Hibbard is again given the opportunity to shine which he does beautifully. The trombonist also features on another moody piece - Elegy.
Edis' Blues For Dad - dedicated to Jerry Edis - has some classic blues piano and a Slam Stewart style hummed bass solo.
Sharp 9/8 is clever and brings Hardy back into the game the horn man stretching out over the unusual rhythm.
The front line all contribute to Revelation and Wilson, Hibbard and Hardy have a good blast on Wilson's Up Late.
The disc is peppered with Edis solos and we've had a lot of praise for Paul the Pianist lately but this is much more - Paul the Pianist, the Composer, the Arranger.
The disc is officially launched at the Lit and Phil on Friday March 2 - I hope he's prepared for a lot of sales!
.http://www.pauledis.co.uk/
Lance.

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance