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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 26, 2012

Where Are You? Joe Montague Quartet - Splinter @ The Bridge

Joe Montague (dms); Jiannis Pavlidis (gtr); Matt Anderson (ten); Max Sterling (bs).
The band came up from Leeds - logistically it would have made economic sense to bus the audience down to Leeds. However, I've long given up expecting jazz fans to turn out in their numbers, or maybe they did - all 8 of them.
What's the answer? I don't know and nor does ace saxist Simon Spillett who posed a similar question in this month's Jazz Journal. In fairness, the bar itself was totally deserted so it wasn't just jazz fans who opted to stay in - maybe they were all watching Upstairs and Downstairs!
Matt Anderson is no stranger to the North East having made appearances at The Bridge and Hoochie Coochie with various bands - all enhanced by his laid back cool sounding tenor sax. 
This was music from the drawing room side of the jazz canon and none the worse for that.
It swung delicately with Anderson weaving his lissom lines around a mix of standards and originals. When Sunny Gets Blue and Skylark really stood out as things of beauty. 
Russell remarked that Pavlidis looked a bit like Barney Kessel and, at times he did sound like the late grandmaster of the guitar.
Sterling's bass work was in accordance with his name whilst leader Montague was, at times, gently swinging and at other times driving it ruthlessly forward.
Despite the feeling of loneliness in the audience - it was a good gig that deserved better support.
Lance.

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