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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Acoustic Infusion with the Mighty Horns - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00. Rick Laughlin & co.

Strictly Smokin’ Sessions - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £8.00. & £6.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Guest: Don Armstrong (reeds). Note earlier start.

Blues

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 09, 2011

IKE ISAACS by Maurice Summerfield

Ike Isaacs (1919 –1996) was born in Rangoon, Burma. He started playing the guitar professionally while he was a chemistry student at university. In 1946 he moved to England, where he freelanced for many years; and played in the Leslie Douglas Orchestra, the BBC Show Band led by Cyril Stapleton and with the Ted Heath Orchestra for 12 years. He was also the resident guitarist with Chappie D’Amato’s orchestra at Hatchett’s in London in 1949 In the mid-1950s, at the age of 16, I was an aspiring jazz guitarist, and listened every week to BBC Radio ’s Guitar Club programme. Introduced by Ken Sykora, the programme featured many leading UK guitarists of the day, including Ivor Mairants and Ike Isaacs, in various small groups. I applied for audience tickets to the BBC for an upcoming broadcast and was delighted when these arrived. I travelled to London and attended a marvellous session. At the end I introduced myself to Ike, told him of my passion for the jazz guitar, and I was delighted to find he was very friendly and hospitable. He was very keen to help me in any way that he could – and within a few weeks I was a guest at his Wembley home for a fabulous curry dinner – prepared by his lovely wife Moira. We kept in touch and when I extended my family’s business to the distribution of musical instruments and accessories, in 1964. I began to see Ike quite frequently. Our friendship grew. I asked his advice on certain products and used him in demonstrations and to attend exhibitions. In the 1960s we distributed the Ike Isaacs string line made by British Music Strings Ltd. In the early 1970’s we published an Ike Isaacs guitar solo book as a promotion for Ibanez guitars and in the late 1970s we investigated the possibility of producing an Ibanez Ike Isaacs jazz guitar model. The attached photograph shows Ike and I in London shortly after I passed on a first sample of his Ibanez guitar. In the late 1970’s as a founder of the Guitar Appreciation Society of N.E. England I was pleased to have the opportunity to present in concert Ike with a very young Martin Taylor at the Peoples’ Theatre in Heaton. Martin of course initially studied with Ike and still quotes Ike as a major influence. I first met Barney Kessel in person at an evening with Ike. Barney lived in London for a year in the late 1960s early 1970s and lived in apartment rented from Ike. Barney told me many times that Ike’s knowledge of the guitar fingerboard was unsurpassed. Ike later recorded and played in concert with George Chisholm (1956) and Barney Kessel (1968). He was a busy studio guitarist and played on dozens of film scores. In 1975 he joined Stephane Grappelli and the Diz Disley Trio. In the late 1970’s and early 1980s Ike came to Newcastle several times and was a guest in my house. By that time he loved to call me his ‘brother’. He gave an in store demo for Ibanez at Jeavons of Percy Street in the late 1970’s Ike moved to Australia in the 1980s, where he taught at the Sydney Guitar School. We kept in regular contact until his death there, of cancer, in 1996.
Maurice S.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance