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Bebop Spoken There

Art Blakey: "You [Bobby Watson] don't want to play too long, because you don't know they're clapping because they're glad you finished!" - (JazzTimes, Nov. 2019)..

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15848 (and counting) posts since we started blogging 15 years ago. 855 of them this year alone and, so far, 53 this month (Sept. 18).

From This Moment On ...

September

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: La Malbec Orchestra @ The Globe, Newcastle. 8:00pm.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 21: Linsday Hannon: Tom Waits for No Man @ Harbour View, Sunderland. 8:00pm. Free.
Thu 21: Ray Stubbs R & B All Stars @ The Schooner, Gateshead. 8:30pm. Free.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 22: Brief Encounter @ Bardon Mill Village Hall, Northumberland. 7:00pm. Tickets: £10.00. adv from 07885 303166; £12.00. on the door. Chris & Veronica Perrin improvising to a screening of the 1929 'Jazz Age' silent film Piccadilly (Dir. Ewald André Dupont).
Fri 22: Paul Edis & Graeme Wilson + Three Tsuru Origami @ Jesmond United Reformed Church, Newcastle. 7:30pm. A Newcastle Festival of Jazz & Improvised Music event.
Fri 22: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 22: Abbie Finn's Finntet @ Traveller's Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 23: Tyne Valley Big Band @ Tanfield Railway, Gateshead. 2:00-4:00pm. Free. A '1940s Weekend' event.
Sat 23: Jason Isaacs @ Stack, Seaburn. 3:30-5:30pm. Free.
Sat 23: Andrew Porritt & Keith Barrett @ Cullercoats Watch House, Front St., Cullercoats NE30 4QB. 7:00pm.
Sat 23: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. Free. A 'Jar on the Bar' gig. Country blues.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:00pm. Free.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 7:00pm.

Tue 26: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, February 08, 2011

Bill Harper on Joe Young.

So sad to hear of Joe's problems although I was aware that he was starting to show signs of deterioration in 2004, just before Anne & I left for France,when he used to come to my gig at the Ninepins in Gateshead, accompanied by Jack Denton & Marshall Walker.
He was lacking his sparkle & sharp repartee & his memory was starting to fail.
I recall Joe from the mid 50's with his first band in the Arcade Jazz Club in Pilgrim St where he had good players like clarinetist Colin Beale,pianist Johnny Handel & trombonist Norman Healey-Creed in a very lively & popular outfit. I was halfway through my Nat. Service in the RAF (1958) & stationed at Acklington when I was contacted by Joe who told me he was breaking up his band to form a new one & would I like the piano chair?
When he told me the line up I could hardly refuse as these guys were the top players at the time - Hugh Aitchison (Tpt), Trevor Johnson & Brian Clarke (clt/sax),Ron McLean (trombone),Brian Fisher (bass) & Jack Denton (drums). Joe had been persuaded to ditch his banjo & bought a guitar (4 strings) tuned "banjo style" a la Eddie Condon,which gave the band a much smoother Dixieland feel than his previous rough & ready "trad"band.
Joe & I became good friends & in 1961, he was my best man at my marriage to the late Emily & has remained a friend ever since. He never pushed himself to the front musically, preferring to stay in the background but he could certainly handle the audiences with his good humour or sarcastic repartee & we were never short of gigs & residencies & who could forget those NY eve gigs at Carlisle Jazz Club organised by his friend the late Mick Potts who was a superb trumpeter & pianist.
Joe has never been averse to musical change & with the introduction of new blood in the personnel the band moved away from Dixieland format & became a highly successful Basie /Ellington mainstream "jump" band, actually opening the show at the City Hall for the Dave Brubeck Quartet.
This was a really exciting period with the emergence of Leo Harwood, Barry Robinson, Fred McBeth (saxes) & the influential John (JB) Walters on trumpet with his University colleagues Lou Townsen (bass) & a young drummer who's name escapes me for the moment. Also during this period we also had various top players in the band - bass players Dave Murphy & Al Collins - Drummers Ian Forbes & Jimmy Scaife & last but not least the indomitable Eric Burden whom Joe used on several occasions on concerts as guest vocalist although several members of the band were unhappy with his intonation but with his future success, the old saying "what did we know"?
About this time the band took on a major change of direction when JB Walters & the un-named drummer left to go on tour with the Alan Price Set & with the introduction of saxophonist Geoff Hedley the band began to experiment with "free form" & consisted of Bill Shield (Dms), Alan Collins (bass), myself on piano & Joe on guitar. To be honest I don't think any of us really knew what was going on but it was fun & allowed us to write our own material but I was never convinced that this was where my future lay & I left the band in the early 70's. I don't think Joe kept the band together for much longer & he eventually returned to his roots & first "love" N.Orleans jazz where he surfaced as a stalwart bassist.
I know that he experienced bad luck in his first marriage, terrible tragedy in his second but when I last spoke to him his life seemed to be quite settled & it's such a shame that he should see out his remaining years like this.
Joe is a lovely guy who was a major figure & contributor to the scene & I am proud to call him my friend. Our thoughts are with Joe & Diane, getting old is no fun if you are in poor health.
Bill Harper.

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