Total Pageviews

Bebop Spoken There

Michel Camilo: "That first year, believe it or not, to practice I drew a keyboard on a piece of cardboard, because I could hear in my head all the notes" - (JazzTimes, Feb. 2020).
-----

Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Saturday February 29

Afternoon

Jazz

Great North Big Band Jazz Festival - Park View Community Centre, Church Chare, Chester le Street DH3 3PZ.. Tel: 07958 302745. 12:00 noon. Open Section (senior) competition. (Winners’ concert - 7:00pm). £15.00. weekend ticket, £12.00. day ticket, £5.00. under 16. Day 2/3.

Tees Valley Jazzmen - Hammer & Pincers, Preston Lane, Preston-le-Skerne, Newton Aycliffe DL5 6JH. Tel: 01325 314873. 1:00pm. £2.00.

Evening

Keith Nichols w New Century Ragtime Orchestra - Caedmon Hall, Gateshead Library, Prince Consort Road, Gateshead NE8 4LN. 7:30pm. Tickets £15.00 from 0191 281 4011. Line-up includes guests Keith Nichols (piano, vocals) & Nick Ward (drums).

Mike Lovatt w Strictly Smokin’ Big Band - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4461. 8:00pm. £14.70. Trumpet virtuoso w SSBB.

Mansion of Snakes - Cobalt Studios, Boyd St., Newcastle. 9:00pm. Donations. Cobalt’s Late Night Jazz Club. Band + DJ.

Blues/Funk/Soul

Red Hot Riot - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 18, 2011

Alister Spence Trio w. Raymond MacDonald @ The Lit and Phil, Newcastle.

Alister Spence (pno), Joe Williamson (pno), Raymond MacDonald (alt/sop), Chris Cantilo (dms).
I hold my hand up and confess - not for me. I'm in the minority - the audience applauds vociferously, CD's are bought and the Lit and Phil is surely delighted that this, their first concert collaboration with Jazz North East, meets with such a good response.
However, the music values that I hold dear are absent and, although there are moments that grab me, all too soon they disinteregate and disappeared off into jazz's hinterlands.
So, as the parade has passed me by, on this occasion I'll invite Russell, George M, Wes, or whoever cares to, to give a more reasoned, knowing, view on the gig.
This isn't a reflection on the music - it's self-criticism.
Lance.
NB: Do like the new JNE banner.

2 comments :

russell said...

I think I concur with the general thrust of your argument. There was some blistering playing but, perhaps as the photograph suggests, something was absent.

Russell

George Milburn said...

It wasn't easy for me to lever myself out on Friday having, like poor Russell, the head-cold from hell. Add to this my reaction to Alister's performance at The Cluny last year which didn't really move me, so I impressed myself that I GOT to the Lit n Phil. Of course I knew how much Chris Calver had riding on this 1st jazz gig and wanted to show my support, not to mention that I won Alister's FIT album in the raffle at the Dr Chad gig last year.
Nevertheless, I enjoyed it. Why?
I sat as close to the drum kit as HSE guidelines recommend, finding Chris Cantillo's percussion flea circus absolutely compelling. I handed him a butterfly nut that had fallen off the bass drum - he nodded and added it to the array of prayer bells on the snare drum - ting!
Then there was the inimitable Raymond MacDonald, who stepped forward from under the portrait of Gene Hackman's grandad with Babaresque determination and stance to match - his blend of circular breathing chromatics and contrasting lyrical phrasing had the cobra of my interest well and truly charmed!
Joe Williamson's devotion to his bass gut strings - plucked and bowed - combined with his Joe 90 specs also had me enthralled - cool but essential in his improvisational technique.
In all honesty I think we have Alister to thank for bringing these 3 together and providing the string percussion. He's a bloody good piano player but he's Legion - now Keith Jarrett, now Cecil Taylor, now Keith Tippett - for me he needs to come out, on his OWN side!
As a jazz venue, the room was brightly incongruous with the ghostly portraits of the Lit & Phil's literati looking disapprovingly down. Raymond's swaying Soprano sax however turned the one red spotlight by the piano into my own personal disco strobe, which added to the surreality of the happening.
Let's face it, I haven't really forgiven Alister for not knowing who Peter Sculthorpe is!