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Bebop Spoken There

Greg Abate: "So many sounds are ugly now. There are no harmonics, no chords. What do people hear these days? Why do things have to change from that good music?" (JazzTimes June/July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14378 (and counting) posts since we started blogging 14 years ago. 597 of them this year alone and, so far, 2 this month (July 2).

From This Moment On ...

July

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 06: Michael Bublé @ Durham County Cricket Club, Chester le Street. Doors: 5:00pm.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 06: 4B @ The Exchange, North Shields. 7:00pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 07: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 07: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 07: Lara Jones + Echo Juliet @ Cobalt Studios, Newcastle. 7:00pm.
Thu 07: Thursday Night Prayer Meeting @ The Globe, Newcastle. 8:00pm. Free admission (donations).
Thu 07: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 08: Alex Clarke Quartet @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 08: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sat 09: Jazz Stage @ Mouth of the Tyne Festival: Zoë Gilby Duo (12 noon); Vieux Carré Jazzmen (1:35pm); Harmony Brass (3:10pm); Ruth Lambert Quartet (4:40pm). Outdoor stage adjacent to Tynemouth Priory.

Sun 10: Tusk X Yeah You @ Live Theatre, Newcastle. 12 noon. £10.00. All day event, line-up inc. Pat Thomas.
Sun 10: Jazz Stage @ Mouth of the Tyne Festival: Rendezvous Jazz (12 noon); River City Jazzmen (1:35pm); House of the Black Gardenia (3:10pm); Classic Swing (4:40pm). Outdoor stage adjacent to Tynemouth Priory.
Sun 10 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 10: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 10: Shunyata Improvisation Group @ Saltwell Park, Gateshead NE9 5AX. 1:00pm.
Sun 10: Am Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 10: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 10: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm.
Sun 10: Jazzframe @ The Globe, Newcastle. 8:00pm.

Mon 11: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 11: Central Bar Quintet plays Chet Baker Sings @ Central Bar, Gateshead. 7:30pm. Concert performance featuring Pete Tanton + jam session. £5.00 (free admission to sitters-in).

Tue 12: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Alan Law, Paul Grainger, Rob Walker.
Tue 12: Harry Keeble Quartet @ Forum Music Centre, Darlington. 7:30pm.

Friday, February 18, 2011

Alister Spence Trio w. Raymond MacDonald @ The Lit and Phil, Newcastle.

Alister Spence (pno), Joe Williamson (pno), Raymond MacDonald (alt/sop), Chris Cantilo (dms).
I hold my hand up and confess - not for me. I'm in the minority - the audience applauds vociferously, CD's are bought and the Lit and Phil is surely delighted that this, their first concert collaboration with Jazz North East, meets with such a good response.
However, the music values that I hold dear are absent and, although there are moments that grab me, all too soon they disinteregate and disappeared off into jazz's hinterlands.
So, as the parade has passed me by, on this occasion I'll invite Russell, George M, Wes, or whoever cares to, to give a more reasoned, knowing, view on the gig.
This isn't a reflection on the music - it's self-criticism.
Lance.
NB: Do like the new JNE banner.

2 comments :

russell said...

I think I concur with the general thrust of your argument. There was some blistering playing but, perhaps as the photograph suggests, something was absent.

Russell

George Milburn said...

It wasn't easy for me to lever myself out on Friday having, like poor Russell, the head-cold from hell. Add to this my reaction to Alister's performance at The Cluny last year which didn't really move me, so I impressed myself that I GOT to the Lit n Phil. Of course I knew how much Chris Calver had riding on this 1st jazz gig and wanted to show my support, not to mention that I won Alister's FIT album in the raffle at the Dr Chad gig last year.
Nevertheless, I enjoyed it. Why?
I sat as close to the drum kit as HSE guidelines recommend, finding Chris Cantillo's percussion flea circus absolutely compelling. I handed him a butterfly nut that had fallen off the bass drum - he nodded and added it to the array of prayer bells on the snare drum - ting!
Then there was the inimitable Raymond MacDonald, who stepped forward from under the portrait of Gene Hackman's grandad with Babaresque determination and stance to match - his blend of circular breathing chromatics and contrasting lyrical phrasing had the cobra of my interest well and truly charmed!
Joe Williamson's devotion to his bass gut strings - plucked and bowed - combined with his Joe 90 specs also had me enthralled - cool but essential in his improvisational technique.
In all honesty I think we have Alister to thank for bringing these 3 together and providing the string percussion. He's a bloody good piano player but he's Legion - now Keith Jarrett, now Cecil Taylor, now Keith Tippett - for me he needs to come out, on his OWN side!
As a jazz venue, the room was brightly incongruous with the ghostly portraits of the Lit & Phil's literati looking disapprovingly down. Raymond's swaying Soprano sax however turned the one red spotlight by the piano into my own personal disco strobe, which added to the surreality of the happening.
Let's face it, I haven't really forgiven Alister for not knowing who Peter Sculthorpe is!

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