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Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, October 30, 2010

Sirkis Comes To Town - The Sage, Hall Two.

Asaf Sirkis Trio: Asaf Sirkis (perc), Pat Bennison (bs/hca), Tassos Piliotopoulos (gtr).
Art of Sound Trio: John Law (pno), Tom Farmer (bs), Asaf Sirkis (perc).
Two trios, five outstanding musicians, the ingredients were all there and yet...
Asaf Sirkis (pictured left), the common denominator to both groups, is undeniably a drummer/percussionist of world standing. He has been compared to Tony Williams and Jack DeJohnette and there is no doubting his technique which was heard to great effect with both groups.
Tassos Piliotopoulos is a fast fingered fretman whilst Bennison has long been recognised as a top bass guitar man - tonight he added harmonica to his C.V.
...and yet somehow the whole was less than the sum of the individual parts.
I can't quite explain it. The pieces were original, showed changes of tempo, different modes, yet didn't quite cut it for me. A little too much introspective probing, searching, seeking direction.
Not my bag.
Having said that, the steady flow of folk buying Asaf's CDs during the interval put me clearly in the minority!
John Law's Art of Sound Trio. This was better! Laws is one of the newer breed who can play jazz with ne'er a blue note nor flattened fifth in sight! If Bach had still been around he may have sounded like this after he'd had a Kronnenbourg or six and that is a compliment to both John and Johann Sebastian.
This was superb piano playing even though he did do strange things inside the piano - thankfully no table tennis balls!
Bassist Tom Farmer did the biz on bass and Sirkis had a grand solo finale.
The Curate may have supplied the eggs but they certainly weren't poached!
An okay gig.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance