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Bebop Spoken There

Sting: "It was great. They [the River City Jazzmen] all wore blue suits. The band had been together for about twenty years, which was the same age as the suits." - (Melody Maker Sept. 22, 1979).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday October 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 3:00pm/5:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 06, 2010

Rendezvous Jazz @ The Piper, Cullercoats. October 2nd

Maureen Hall (vocals), Iain MacAulay (trombone, trumpet & vocals), Brian Chester (trombone), Mac Smith (keyboards), John Robinson (double bass) & Jim McKeown (drums) + Doris Fenn (banjolele), Teresa Armstrong (vocals), Roy Gibson (keyboards) & John (vocals)
First Saturday in the month can mean only one thing - a rendezvous with Maureen Hall and the Boys down at the coast.
Maureen was a bit concerned that the band would be without both clarinet and trumpet (Barry Soulsby was indisposed and Alan Smith has gone into retirement). Well, she need not have worried. Announcing that a late dep meant a two trombone frontline, I for one, was delighted. All the more delighted when in walked Brian Chester hot foot from the West Jesmond Rhythm Kings' afternoon gig way down south in Darlington.
Chester and MacAulay, two of the north east's finest trombone players, have contrasting styles and this was a great opportunity to hear them at length over the course of the evening.
Rosetta, taken as an instrumental, got things under way. In my head I could hear Hall (and Jimmy Rushing) singing the lyric. I did then hear Maureen herself as she sang Somebody Loves Me and Iain MacAulay sang CC Rider.
Tunes were drawn from the Deep South, as one would expect, yet the set list also drew on the GAS Book. Rodgers and Hart's Blue Moon and Gershwin's Summertime were expertly handled by Hall. MacAulay can play trumpet when called upon and his vocal rendition of another Gershwin classic - Lady Be Good - was just about as GG intended!
The Gas Book was delved into again for Teresa Armstrong's interval spot. Accompanied by pianist Roy Gibson and Jim McKeown she wowed the audience, as always, with Cole Porter's C'est Magnifique the highlight.
The great Doris Fenn sat in on the second set and if you can comp on the banjolele then she comped damn good! The tunes came thick and fast - Sweet Georgia Brown, You're Nobody's Sweetheart Now (Hall belting it out!), an instrumental Autumn Leaves (at a slightly faster tempo than usual) with MacAulay singing and contributing effective trumpet and I Wish I Could Shimmy Like My Sister Kate.
Spirituals are seldom heard. I love them. Maureen Hall excels on such material. She sang Take My Hand, Precious Lord.
Great stuff.
A most enjoyable gig with trombonists Big Jim Robinson and Kid Ory...sorry, I mean, Brian Chester and Iain MacAulay, for once almost stealing the show from bandleader Hall with an excellent two-'bone version of Shine.
The Piper next calls the Rendezvous Jazz tune on Saturday 6th November (8:30 pm). If you can't wait that long then catch the band's weekly (Friday) lunchtime session down at the Porthole (next to North Shield's Ferry landing).
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance