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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

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VOTING ENDS ON MAY 14.

Coming soon ...



May 13: Vieux Carré Jazzmen at The Holystone (weather, unfortunately, not permitting). CANCELLED!

May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Monday, May 24, 2010

Splinter @ The Bridge - The Geordie Approach & Andy Champion

The remit of Splinter @ The Bridge is to present jazz & improvised music and last night's offering was very much at the non-jazz end of the spectrum. On a sweltering Sunday evening on Costa del Tyneside Andy Champion (electric bass & electronics) opened proceedings with a short set of solo bass improvisations.
Champion, seated, written parts at hand, made use of pedalboard loops to create a multi layered soundscape. Technique to spare, Splinter's MC visited the territory of electric bass pioneers Stanley Clarke, Jaco, Bootsy, Marcus Miller & co... On occasion a blues rock riff suggested a place could be on offer in Rory Gallagher's band - had the genial Irishman still been around. In turn, sounds were shaped from Champion's double bass repertoire. This was a considered performance resisting temptation to switch to freakout mode. A work in progress.
The Geordie Approach: Petter Frost Fadnes (alto saxophone & electronics), Chris Sharkey (guitar & electronics) & Stale Birkeland (drums & electronics). The Geordie Approach, a three piece, sees Gateshead's Chris Sharkey linking up with two Norwegians by way of LIMA (Yorkshire not Peru) to produce, in their own words, ''uncompromising...loose improvisational structures'' with ''ideas sometimes getting lost''. Petter Frost Fadnes cites his influences as ''nobody but everyone''.
The Geordie Approach sound like nobody but everyone. Pedalboards clutter the stage and a bewildering devil's brew of a sound emanates forth. Guitarist Sharkey is well known to north east audiences (On the Outside Festival, Spelk and trio VD) and he delivered yet again. Hidden behind cool shades, magician Sharkey conjured tricks at every turn; dissonance, noise, lascerating fusion, wonderful. Alto saxophonist Petter Frost Fadnes sat on a chair but this was no New Orleans old timer. He was biding his time, constructing haunting, sometimes harsh, calling signals. Rising from his seat to join the fray, the trio produced the most thrilling cacophony - alto and guitar were as one (an express train on the East Coast main line hurtled by adding to the glorious din in the upstairs room of the Bridge). Drummer Dr.Stale Birkeland, a top class player and equal contributor to the collective, utilised yet another pedalboard. The dynamic, full-on trio excursions were high points in an intriguing performance. For those with an interest in the on stage equipment this was a masterclass in the use of the pedalboard.
Russell

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