Total Pageviews

Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

Coming soon ...

SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SATURDAY

Happy Birthday Katy Trigger & Mia Webb.

SUNDAY 20

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Thursday, May 13, 2010

Paul Edis Trio @ Blaydon Jazz Club

Paul Edis (pno), Mick Shoulder (bs), Adam Sinclair (dms).
This was just about the perfect mix - standards peppered with originals. Indeed, with the passage of time, in a perfect world, the originals themselves would become standards in their own right.
Bill Evansish was how Roly described Paul earlier and certainly Bill Evans' influence could be felt - particularly on ballads such as Funny Valentine and Every Time We Say Goodbye. However, Paul is much more than a mere clone - he is very much his own man as he demonstrated throughout the evening.
Singing in the Rain was the 'non-dancing' version and it worked well. Cheek to Cheek had a few piano bars of counterpoint that could have changed the title to Bach to Bach.
On bass, Mick seemed to be more prominent than of yore taking a melody part in Emily and also featured on his own Song For Claire as well as a bowed/hummed solo a la Slam Stewart on Paul's Big Jug Blues.
Adam had some imaginative breaks when exchanging fours - he really does listen to what's going on around him - as well as providing the impetus behind the other two.
Taking the Dog for a Walk was a Paul original with a really catchy lilt to it and some stride-like piano thrown in for good measure and, even though he wasn't playing, Roly was acknowledged with one of his own compositions based on the enigmatic Job Shufflebottom - a person he encountered in his nine to five days.
Another enjoyable evening at a cosy little corner of the jazz world.
Lance.

No comments :

Blog Archive