Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Sunday, May 30, 2010

Claude Werner Quartet - Splinter @ The Bridge

Claude Werner (ten), Lloyd Wright (gtr), Laurence Blackadder (bs), David Carnegie (dms).

This gig was in the upper room of Newcastle's Bridge Hotel, on the small raised stage on which I’ve occasionally sung an unaccompanied folksong at the Monday folkclub. Forget my warblings – this gig was something else entirely.

The band played a storming set to a full house of fans of all ages. It was great from the word go, but no words were spoken at first, simply Claude looking cool in shades, black beret and red shirt, starting with a strong evocative sax, and the rest of the band murmuring instrumentally behind him.

It’s difficult to describe a gig such as this, you really have to be there (Why weren’t you, you other people?) because the pieces were all original compositions with intriguing titles such as I Have Nothing to Say to You and Things I Can Not Express, and other titles which we couldn’t hear properly because of the enthusiastic applause.

There were generous amounts of hard fast playing, alternating with slow soulful sax and guitar. The solos were frequent and intriguing. I’ve never before seen a drummer who smiles so much, both at the other musicians and at the drums themselves. Always a good sign when a player smiles at his instrument. The guitarist was wonderfully creative and at one point sounded as if he was playing underwater, to approving nods from Claude. I’d liked to have heard more solos from the bass, partly because of his superb surname of Blackadder, but I’m told he’s a modest soul. The band was not afraid to play as a trio on some numbers, minus guitar, then minus drums, which added interest.

Claude’s sax featured brilliantly. I suspect he was doing things which were impossible, producing a deep breathy sound, then shimmering silver slivers of sound, with beautiful lyrical riffs in between. (Are they called riffs in jazz or is that just rock, you can tell I’m a novice at writing about jazz?). One item had Claude paying quick snatches of tune, with responding calls from the band, exciting stuff. The gig ended with Claude asking the punters what was wanted for an encore, a ‘Ballad or some hardcore’. We opted for hardcore to send us home happy for the rest of the holiday weekend!

Ann Alexander.

2 comments :

Roly said...

Knockout!
Roly.

Lance said...

Great review Ann - you're on the team.
As regards 'riffs' - it was a jazz term long before Rock was even a pebble.

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