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Bebop Spoken There

Pat Metheny: "The best guitar player I've heard in maybe my entire life is floating around now, Pasquale Grasso." - (Vintage Guitar Magazine February 2016)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,359 (and counting) posts since we started blogging 13 years ago. 777 of them this year alone and, so far, 51 this month (June 13).

From This Moment On

JUNE

Wed 16: Washboard Resonators @ Punch Bowl Hotel, Jesmond, Newcastle (8:00pm). SOLD OUT!

Thu 17: Vieux Carré Jazzmen @ The Holystone, North Tyneside (1:00pm).

Thu 17: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 18: Jazz Jamaica @ Sage Gateshead (8:00pm).

Sat 19: Jude Murphy @ Prohibition Bar, Newcastle (8:00pm).

Sun 20 Knats @ The Globe, Newcastle (8:00pm). Advance booking essential: www.jazz.coop. SOLD OUT. Livestream available from £7.50.

Mon 21: Jazz in the Afternoon @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Thursday, May 13, 2010

Paul Edis Trio @ Blaydon Jazz Club

Paul Edis (pno), Mick Shoulder (bs), Adam Sinclair (dms).
This was just about the perfect mix - standards peppered with originals. Indeed, with the passage of time, in a perfect world, the originals themselves would become standards in their own right.
Bill Evansish was how Roly described Paul earlier and certainly Bill Evans' influence could be felt - particularly on ballads such as Funny Valentine and Every Time We Say Goodbye. However, Paul is much more than a mere clone - he is very much his own man as he demonstrated throughout the evening.
Singing in the Rain was the 'non-dancing' version and it worked well. Cheek to Cheek had a few piano bars of counterpoint that could have changed the title to Bach to Bach.
On bass, Mick seemed to be more prominent than of yore taking a melody part in Emily and also featured on his own Song For Claire as well as a bowed/hummed solo a la Slam Stewart on Paul's Big Jug Blues.
Adam had some imaginative breaks when exchanging fours - he really does listen to what's going on around him - as well as providing the impetus behind the other two.
Taking the Dog for a Walk was a Paul original with a really catchy lilt to it and some stride-like piano thrown in for good measure and, even though he wasn't playing, Roly was acknowledged with one of his own compositions based on the enigmatic Job Shufflebottom - a person he encountered in his nine to five days.
Another enjoyable evening at a cosy little corner of the jazz world.
Lance.

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