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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, May 16, 2010

More History

Colin Aitchison has come up with this gem from 1955.
Thank you Colin.
Can anyone tell me more about the bands?
The Panama, very well known locally. The Vieux Carré are still going strong.
The Cellarmen were lead by Colin's dad, Hughie. Fred Rowe fronted the Rivermouth. Pete Drysdale, I think, is still around but I know nothing of the Apex Jazzmen or the Barrelhouse. Can anyone help?
(Russell has unearthed info that John Ronan played trombone with the Rivermouth Jazzmen. John is now playing with the Harlem Hot Stompers out Manchester way - if you read this we'd love to hear from you.)
Lance.

1 comment :

Peter Drysdale said...

It was a wonderful night. At the time I was also playing drums with the Vieux Carre and Don (Armstrong) was with the Panama so we both had a busy night. Even more so for me as at the last minute the drummer with the Apex got "stage fright" and I took his place.
Contrary to the program the Apex were from Newcastle not Darlington - perhaps the organisers wanted to internationalise the event!
Clarinet player with the Apex was Gerry Routledge.

A few weeks earlier a friend, Barry Gristwood, and I had opened the Whitley Bay Jazz Club at the Empress Ballroom cafe at Whitley Bay. Don had been talking about "modern jazz" and mentioned Ian Carr, who he had met at Newcastle Varsity, and his brother Mike Carr. As a result the north's first modern jazz group was formed under my name by the four of us plus Ray Jobling on bass as the resident band at WB with visitors each week from other bands including the Cellarmen. As a result we entered the comp at the Oxford. As you know Ian (who died last year with Memorial concerts in London and Gateshead) and Mike went on to great things in the jazz world.
Happy memories.
Regards
Peter

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