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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).
Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. 7:30pm (doors). £25.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, May 30, 2010

Claude Werner Quartet - Splinter @ The Bridge

Claude Werner (ten), Lloyd Wright (gtr), Laurence Blackadder (bs), David Carnegie (dms).

This gig was in the upper room of Newcastle's Bridge Hotel, on the small raised stage on which I’ve occasionally sung an unaccompanied folksong at the Monday folkclub. Forget my warblings – this gig was something else entirely.

The band played a storming set to a full house of fans of all ages. It was great from the word go, but no words were spoken at first, simply Claude looking cool in shades, black beret and red shirt, starting with a strong evocative sax, and the rest of the band murmuring instrumentally behind him.

It’s difficult to describe a gig such as this, you really have to be there (Why weren’t you, you other people?) because the pieces were all original compositions with intriguing titles such as I Have Nothing to Say to You and Things I Can Not Express, and other titles which we couldn’t hear properly because of the enthusiastic applause.

There were generous amounts of hard fast playing, alternating with slow soulful sax and guitar. The solos were frequent and intriguing. I’ve never before seen a drummer who smiles so much, both at the other musicians and at the drums themselves. Always a good sign when a player smiles at his instrument. The guitarist was wonderfully creative and at one point sounded as if he was playing underwater, to approving nods from Claude. I’d liked to have heard more solos from the bass, partly because of his superb surname of Blackadder, but I’m told he’s a modest soul. The band was not afraid to play as a trio on some numbers, minus guitar, then minus drums, which added interest.

Claude’s sax featured brilliantly. I suspect he was doing things which were impossible, producing a deep breathy sound, then shimmering silver slivers of sound, with beautiful lyrical riffs in between. (Are they called riffs in jazz or is that just rock, you can tell I’m a novice at writing about jazz?). One item had Claude paying quick snatches of tune, with responding calls from the band, exciting stuff. The gig ended with Claude asking the punters what was wanted for an encore, a ‘Ballad or some hardcore’. We opted for hardcore to send us home happy for the rest of the holiday weekend!

Ann Alexander.

2 comments :

Roly said...

Knockout!
Roly.

Lance said...

Great review Ann - you're on the team.
As regards 'riffs' - it was a jazz term long before Rock was even a pebble.

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